From Publishers Weekly
Starred Review. Multiple Hugo- and Nebula-winner Card offers short, revealing commentaries on these 22 compelling short stories, novelettes, and novellas, noting that short work has inspired some of his best and best-known long fiction. These short science fiction, fantasy and literary stories, along with a handful of Hatrack River tales (related to the Alvin Maker series) and four stories written by a Mormon, about Mormon culture, for Mormon readers, illustrate Card's fascination with complex child protagonists, touchingly portrayed in Inventing Lovers on the Phone; absorption with moral dilemmas, wrapped up in family love and tensions in Worthy to Be One of Us; and new views of old traditions, familiar and discomfiting in Homeless in Hell and Christmas at Helaman's House. Card intended several of the included stories, like the powerful In the Dragon's House, to open novels not yet written, but even on their own they provide significant examples of his perennial themes: morality, salvation and redemption.
(Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
The state of short fiction in fantasy and sf has changed since Card’s earlier collection, Maps in a Mirror (1990). His cogent introduction suggests that the change hasn’t been for the better. But Card is one of those writers equally comfortable with any length of form, and so here is “Elephants of Poznan,” originally published in a Polish sf magazine; “Inventing Lovers on the Phone,” a fantasy story written for Stars (2003), an anthology inspired by the songs of Janis Ian; “50 WPM,” from In the Shadow of the Wall (2002), an anthology of stories responding to the Vietnam Wall; and two original novellas from the Hatrack River (i.e., Alvin Maker) saga, arguably the single finest work of American fantasy to date. The book’s last section contains stories reflecting Card’s Mormon faith and his broader awareness of religion as an influence on literature, history, and the world. None of these stories shows any diminution in Card’s mastery of language, pacing, and characterization. --Roland Green
See all Editorial Reviews