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9 of 11 people found the following review helpful:
5.0 out of 5 stars
A Great Place to Begin or to End Up., March 29, 2009
Some of the best, and best known, works of science fiction are neither novels nor short stories, but something in between: just long enough to fully explore an idea, yet short enough to focus on a single set of events. "The Time Machine," "Who Goes There," (a.k.a. "The Thing,") and "Flowers for Algernon," (a.k.a "Charly") are three examples of the genre adopted into movies. Others were expanded into novels or even series by their original authors: for example, Theodore Sturgeon's turning "Jefty Is Five" into "More Than Human," Isaac Asimov's linking a series of novellas into "The Foundation Trilogy," and Orson Scott Card's stretching "Ender's Game" into a cottage industry that would be the envy of Pere Dumas. I would guess more than half the science fiction novels ever published started out as something shorter (and often better.)
As far as I know, Gene Wolfe himself has done this twice: turning the bleak and brilliant "The Fifth Head of Cerberus" into a single-volume "trilogy" of interlocking mysteries, and expanding an unpublished (possibly untitled) novella into his unprecedented and unsurpassed four-volume masterpiece "The Book of the New Sun." In this, he has shown remarkable restraint. Pretty much unanimously acknowledged as the master of the novella form, Wolfe could have filled ten acclaimed careers simply expanding into novel-length the short fiction collected in this book. "The Eyeflash Miracles" could easily have been a novel, "The Cabin on the Coast" a fantasy-adventure trilogy, "Seven American Nights," what else, a seven book post-apocalyptic epic, "Forlesen," the lifetime output of a couple authors I could name.
But no, they are what they are. "The Best of Gene Wolfe" is a book of books within books, a book of seeds each of which sprouts into a sequoia, but not on the page, in your head. It saves trees by blowing minds, I guess, making this collection both a boundlessly generous feast and an exquisitely torturous tease.
Is it "The Best of Gene Wolfe?" No, the best of Gene Wolfe is still his twelve-novel (untitled) sequence of "Sun" books. ("New," "Long," and "Short," in case you don't know.) But "The Best of Gene Wolfe" is the best of the best. A paradox? Why not. It's a great place to start reading him. Or a great place to finish--then start over.
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2 of 3 people found the following review helpful:
5.0 out of 5 stars
Stunningly good short story collection, June 29, 2009
This was officially the best science fiction short story collection I've ever read, even beating out my previous favorite, Tangents by Greg Bear. This book is precisely why I stopped giving 5 stars to every book I like: because that would make it impossible to express the level of admiration I feel for the truly special books, the ones that you know you'll read and re-read and recommend to everyone. If you only read one SF short story collection this year, make it this one.
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1 of 2 people found the following review helpful:
5.0 out of 5 stars
Lives up to its name, July 27, 2009
Word for word, Gene Wolfe is almost certainly the finest stylist currently active in the English language. This book demonstrates that amply. The stories here range from just a few pages to short novella length. Some have splashes of humor while others are dark and bleak throughout. What they all share though is Wolfe's unflagging imagination and ability to absorb his readers into the universe he creates for his stories, however fleeting the time the reader may spend in that universe ultimately may be. Among writers, Wolfe is an anomaly for his refusal to tell stories in a linear path, and this only adds to the awe and sense of wonder of his work, both as in this volume, in his short work and in his novel-length fiction. It's hard for me to pick a story I would consider to be my favorite or the best in the book. I would probably count Seven American Nights as the most reflective of what to expect among those included herein though. Others of note are the Island/Doctor/Death stories, Petting Zoo (probably the most elegiac of the tales), The Fifth Head of Cerberus (which will slingshot the reader directly into Wolfe's first successful long work), and The Hero as Werwolf (which goes off in a direction I was pleasantly surprised to never see coming). Overall, this is clearly the strongest representation possible of Wolfe's short fiction, but I hope it will serve only as a springboard for readers new to Wolfe into his other work. Although his work is intentionally difficult--as anyone who reads this will have to acknowledge--it is both thoughtful and rewarding, and I hope this will help catapult Wolfe into a more commercially viable place among modern-day authors. Ultimately the best thing about Wolfe's work is this: As with Edgar Rice Burroughs, another great storyteller of the last century, Wolfe's best work is so powerful because he himself is in everything he writes. To those fortunate enough to come across this book and read it in the future, I can say only one more thing: You will be far from disappointed.
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