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38 of 42 people found the following review helpful:
1.0 out of 5 stars
Bait-and-switch at its best, November 2, 2007
I'll start it short: This is a terrible book.
The premise is excellent, as is the cover. The execution, however, is amateurish at best and laughable at worst. There were some 4 star moments, though - the journey, to be fair, proceeded as follows:
3 stars, 4 stars, 3, 4, 2, 2, 1...
The second half of this book is so unsatisfying, and the ending so trite and faux-didactic that I had trouble not throwing it across the room. As a massive sf/fantasy literary snob (China Mieville is my hero), I was actually insulted to have been conned into buying and reading this book.
The premise is classic steampunk/clockpunk - what if the solar system were a giant clockwork mechanism, and the planet was winding down and needed to be rewound? The book, however, is classic bait-and-switch. There is no steampunk here beyond the premise, and after the halfway point the book just becomes tiresome and tedious. The main character is uninteresting, his 'perils' uninspiring, and we are never concerned that he is in any danger of failure on his quest. Actions, scenes, characters and ideas are thrown around, but the author never does us the courtesy of explaining them. The message of the entire book seems to be 'trust in god' which never sits well with me anyway, but this message isn't even delivered in an interesting way. A massive, massive disappointment, and I should probably give the book away to someone I don't like.
Have I mentioned how terrible this book is? Well, let's ignore a pointless sex scene thrown in randomly later in the book to establish a growing bond between the main character and his nominal girlfriend; let's ignore the impossible nature of the equatorial gear crossing (Imagine the worst possible writing mistake about a world where the baseline earth is a giant clockwork mechanism and the concept of gears is fundamental??? Try thinking about the shape of a gear for a second, just one second, a fraction of time less than it would have taken the author to google a picture of a gear, for example...); let's ignore foolish exposition and grade school philosophy and metaphysics that makes the Matrix look like holy revelation by comparison; let's ignore long, tedious travelling scenes followed by condescendingly short and ridiculous action scenes with monsters who appear for no reason and out of nowhere... What's left to ignore?
There was a tiny fraction of potential in this novel, and it was wasted.
I think Jay Lake should go read Polystom: Two Universes in One Reality (Gollancz). That was an excellent take on a similar idea. It even had a point! This, however wasn't and hadn't.
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16 of 16 people found the following review helpful:
2.0 out of 5 stars
A setting with potential but a story that gets lost, May 27, 2008
I feel guilty for putting such a low review (**) but I really can't find enough in the story to justify much higher. Steampunk is a fantastic subgenre and in many ways this story does an excellent job capturing that setting. At times I could just close my eyes and mull over how cool something was (like the cliff side city). Yet rattling around in this Steampunk world was a rather tiresome plot and some slightly offensive overtones. It's difficult to put into words.
There's a thin line sometimes between having certain traits exist within a world you create and a glorification of those traits. Not recommended for people who aren't 16-28 years old, white, straight and male.
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8 of 8 people found the following review helpful:
1.0 out of 5 stars
Mainspring, September 19, 2007
MAINSPRING BY JAY LAKE: Mainspring is your classic cyberpunk novel: the world is run by machinery. The Mainspring is at the center of the world, constantly turning and working, making every other cog, wheel and spring turn and work. The world is split between the two hemispheres by a giant metal wall that reaches into space. The planet turns, and runs on an orbiting track around the sun and at midnight the wall connects with this track for one moment, obliterating everything on top of the Wall and starting anew. All this was created and set in motion by God: the Mainspring is the heart of the world and is also the heart of God.
In this world, the War for Independence never happened, and at the turn of the twentieth century, Britain still controls the colonies. Hethor Jacques is a sixteen year old boy and a clockmaker's apprentice. He is visited by the Archangel Gabriel and told that the Mainspring is not running well and requires the Key Perilous to set it in correct motion again. This is necessary once over many generations and the time has come again and it is up to Hethor to perform this task. With lots of problems and obstructions along the way, Hethor makes his treacherous journey to Boston where he is press ganged in the British navy on Her Majesty's Ship of the Air Bassett: an ordinary ship that is attached to a great air balloon sending the ship high into the sky. Commissioned to aid Her Majesty's ships at the Wall, the Bassett travels over the Atlantic to the great iron curtain where they come face to face with horrors and monsters never imagined. The Wall is a place of legend and story, of fabled cities filled with jewels and ghosts.
It is in a town on the Wall that Hethor meets the Jade Priest who aids him in his quest to cross the Wall and enter the southern hemisphere. He must travel to the South Pole where he will find the entrance to the Mainspring and attempt to carry out his duty. It is here, in the last third of the book, that the plot of Mainspring devolves and becomes quite dreadful, much like the devolved and chaotic world of this hemisphere. Jay Lake takes an uncertain direction in pushing forth the religion that has been secondary to the incredible cyberpunk world so far, making Hethor into a messiah like character and therefore able to survive every devastating attack and tragedy that befalls him. It is here also that Hethor becomes a leader of this simian race that are between monkey and human on an evolutionary scale, known as the "correct people." With Hethor leading the correct people south, it recalls the plight of Moses and the Israelites. Naturally there is a female in this group who has the incredibly developed and humanistic name of Arellya that Hethor becomes closer and closer to, eventually leading to a copulation scene that can only be described as bestiality: "He rubbed at her hairy back, enjoying the silky smooth feel, like petting a giant cat."
With this severe downward turn to the novel, Mainspring was hard to finish. The failing of the book was in going from a complex and fantastic world of air ships and machinery and exotic places to a religious dogma coupled with a fascination for an ape-like race. Nevertheless, Mainspring possesses many facets of the cyberpunk novel making it a classic in some ways, along with amazing cover artwork of the Bassett at the Wall.
For more reviews, please to go www.alexctelander.com.
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