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9 of 9 people found the following review helpful:
5.0 out of 5 stars
A best of `The Avengers', July 31, 2002
By A Customer
For anyone unfamiliar with the stylish, tongue-in-cheek 1960s spy series, `The Avengers,' these episodes make the best introduction to the show's Diana Rigg years. As Emma Peel, the tall, lithe Rigg made a strong female partner for Patrick Macnee's suave, polite agent John Steed, the lifeblood of the series. Macnee provided brilliant support for all his leading ladies, and crisp, buxom Honor Blackman originated the role of leather-clad, judo-chopping woman warrior. But those show were not originally broadcast in the US, where viewers first tuned in and were turned on by Macnee's sparkling chemistry with the modelish Rigg. A few caveats: this never more than a cult show in the U.S., and the shortcomings of its shoestring budgets are sometimes obvious. The writing varies in tone from intense action to silly comedy. The quality of the disks is generally quite good, but not always great. The A&E disks have few extras compared to the Contender series available in the UK. American fans: the checkerboard intro is missing, because these disks were made from UK masters, where the lead-in wasn't used. That said, these episodes present several high points for the series in writing and direction, and also several of Rigg's more notorious costumes. All that applies to the atmospheric historical thriller, `A Touch of Brimstone.' Diana Rigg is poured, padded and pushed up into black dominatrix gear, with boots, corset and snake. But the plot is ingenious, and Pat Macnee holds his end up, outwitting as well as outfighting particularly nasty villians. Perhaps the best episode, though, has Peel trapped in a computerized house, trying to `reason her way out' of the predicament. Compared to the typical damsel-in-distress plots of other TV shows of the time, `The Avengers' women were decades ahead of their time. `The Dangermakers' is another thriller, as the heroes infiltrate a group of thrill-seekers, military men who don't get enough buzz from civilian life. `Honey for the Prince' presents nefarious goings-on with a lighter touch, and includes sterling performances by the best gallery of eccentric supporting characters ever assembled. Still, some fans fast-forward to Emma's dance of six veils. Her unpadded bustier does nothing for Diana Rigg's waifish bust _ think Kate Moss, not Pam Anderson. But her Emma Peel character does does think, and Rigg also shows endearing spunk in something as simple as tugging on her Turkish trousers. Scantily clad, she still takes out the bad guy. In a fashion sense, the boyish Rigg does better dressed as Robin Hood in `A Sense of History.' Diana still saves the day in a costume that flatters her thin figure and shows off her legs. The plot is not quite as sharp as `Brimstone,' but there's another off-beat villain to provide a surprise. `What the Butler Saw' is a bit fluffy, but gives Patrick Macnee a chance to have some fun in various undercover guises, including, of course, a true gentleman's gentleman. The only real clunker in the lot is `How to Succeed.. at Murder,' a tiresome and condescending take on feminism that is even more dated now. Six out of seven isn't bad, especially as part of a charming series that greatly influenced the `X-Files,' `Dark Angel,' `Alias,' `Charlie's Angels,' maybe even `Ed.' If you're curious about `The Avengers,' this is the place to start.
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