- Purchase this entertainment book and get 12 issues to either Rolling Stone, Men's Journal or Us Weekly for $2.95 each. That's less than $0.25 an issue. Here's how (restrictions apply)
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by Marilyn Wann
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by Lara Frater
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Bountiful Women: Large Women's Secrets for Living the Life They Desire by Carmen Renee Berry (Introduction) Bonnie Bernell |
The Forbidden Body: Why Being Fat is Not a Sin (Issues in Women's Health series) by Shelley Bovey |
by Wendy Shanker
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But can she write? Yes. This memoir is by turns funny ("If Barbie were a real woman, she'd have to walk on all fours due to her proportions") and excruciating. It helps that the material was honed in a one-woman show that sold out at New York's big-deal Public Theater, but the subject matter was strange and interesting in the first place. Manheim could not possibly be a less likely candidate for artistic and commercial success on TV. Born Debi Manheim in Peoria, the very metaphor for mainstream culture, Manheim re-created herself as a dozen-earringed California biker chick, a Renaissance Faire wench, a protester who helped drive the Miss California Pageant out of Santa Cruz, and one of 28 actors in America accepted at NYU's exclusive graduate school. In her book, Manheim gets even with her cruel, fat-bashing teachers; credits the director who gave her her first ingenue lead role (Tony Kushner, who cast her in Fen); and tells how the same temper that got her booted from school and arrested also won her the TV role that made her name.
There's good gossip for drama buffs. Manheim ribs her famous boss David Kelley within an inch of her livelihood; rips into Celeste Holm for cattiness backstage in Clare Boothe Luce's The Women; and opines that Bridget Fonda, whom she got naked next to in a movie, "could use a sandwich." But it's the private-life stuff that sticks with you. Read her touching, hilarious account of a personal-ad date from hell, and how she got even by picking up the hunky model who plays the Marlboro Man. She is not making this up!
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
"This is for all the fat girls!" Manheim proclaimed, as she hoisted up her 1998 Emmy statuette for all the world to see. The award for her work as Ellenor Frutt on the television drama The Practice was also sweet recompense for a lifetime of fighting prejudice about her weight, of coming to terms with her insecurities and of feeling that she had finally made her parents proud. Manheim's passion and honesty are evident throughout her accessible narrative. No subject is off-limits, from family conflicts to professional discrimination, from her sexuality to what goes on behind the scenes at the Emmys. Always irreverent, witty and compassionate, Manheim talks openly of her experiences as a fat teenager dealing with her family's disapproval of her weight and of using drugs, including crystal meth, to keep her weight down and gain acceptance with her peers. She details her struggle to become an actor, of standing up to prejudice among drama teachers and directors and of demanding more realistic portrayals of fat women through her characters. In the end, her size has helped shape her politics and feminism: "My fat... taught me not to be average, not to conform, not to go quietly. It made me a fighter." Not just for all the fat girls, Manheim's story holds appeal for everyone who has ever let insecurity hold them back from realizing their dreams. Agent, Alexander Smithline of Vigliano Associates. $100,000 ad/promo; author tour; 22-city TV satellite tour; 20-city radio satellite tour.
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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