Amazon.com Review
American culture celebrates inventors as heroes: Alexander Graham Bell, Edison, Henry Ford. In the fascinating
The Boy Genius and the Mogul, Daniel Stashower adds a new name to the pantheon: Philo T. Farnsworth, inventor of TV. "The general public has only the vaguest notion of how--or by whom--television was created," writes Stashower, who feels the story has been mistold, depriving the boy genius from rural Idaho of due credit. Stashower, a mystery novelist and biographer of Arthur Conan Doyle, uncovers the hidden history of Farnsworth's "image dissector." If RCA's David Sarnoff (the "mogul" of the title) had chosen to work with Farnsworth, the young man would have become a household name. But Farnsworth lost his chance at fame, mentally collapsed, and spent his last years bitterly disappointed. Watching the moon landing on a picture tube less than two years before his death, however, he turned to his wife and said, "This has made it all worthwhile."
--John Miller
From Publishers Weekly
The book jacket asserts that it will tell the story of television's "real" inventor, Philo T. Farnsworth, a 14-year-old Idaho farm boy. It's a clever and accurate hook, since no one inventor can take credit for the magic black box. What makes Farnsworth unique aside from an intuitive leap while mowing a hayfield in 1922 is that he outlasted everyone else in his patent battle against RCA's David Sarnoff, who famously said, "RCA doesn't pay royalties. It collects them." Sarnoff makes a good foil: both men struggled up from poverty, Sarnoff by climbing the corporate ladder and Farnsworth by convincing financial backers to fund his research. Unfortunately for Farnsworth, "the era of the solitary inventor was quickly fading." Large, well-funded corporate laboratories were taking their place in the 1930s and reducing the inventor to a contract engineer. Stashower, a journalist and Edgar Award-winning biographer (for Teller of Tales), is also the author of three murder mysteries. He ends every chapter with a cliffhanger, which gets monotonous. However, his flair for storytelling does help move the book along through the necessary passages of technical jargon. Instilled with the glories of Edison, Ford and Gates, the public still romanticizes the genius in the attic, while recognizing that the spoils generally go to the rich and powerful.
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