Product Details

• Actors: Emile Boreo, Mary Clare, Selma Vaz Dias, Catherine Lacey, Philip Leaver
• Format: Black & White, DVD, Special Edition, NTSC
• Language: English (Dolby Digital 1.0)
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Rating: Unrated
• Studio: Criterion
• DVD Release Date: May 27, 1998
• Run Time: 96 minutes
• Average Customer Review: 4.4 out of 5 stars See all reviews (81 customer reviews)
• ASIN: 0780020723
• Amazon.com Sales Rank: #43,545 in Movies & TV (See Bestsellers in Movies & TV)

  Popular in these categories: (What's this?)

  #6 in	Movies & TV > Classics > Classic Directors > Alfred Hitchcock > 1930s
  #15 in	Movies & TV > Mystery & Suspense > Blackmail, Murder & Mayhem > Kidnapping & Missing Persons

• For more information about "The Lady Vanishes - Criterion Collection" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com essential video
At first glance The Lady Vanishes appears to be a frothy, lightweight treat, a testament to Alfred Hitchcock's nimble touch. This snappy, sophisticated romantic thriller begins innocently enough, as a contingent of eccentric tourists spend the night in a picture-postcard village inn nestled in the Swiss Alps before setting off on the train the next morning. In a wonderfully Hitchcockian twist on "meeting cute," attractive young Iris (Margaret Lockwood) clashes with brash music student Gilbert (Michael Redgrave) when his nocturnal concerts give her no peace. She gets him kicked out of his room, so he barges in on hers: True love is inevitable, but not before they are both plunged into an international conspiracy. The next day on the train, kindly old Mrs. Froy (Dame May Whitty) vanishes from her train car without a trace and the once quarrelsome couple unite to search the train and uncover a dastardly plot. No one is as he or she seems, but sorting out the villains from the merely mysterious is a challenge in itself, as our innocents abroad face resistance from the entire passenger list. Hitchcock effortlessly navigates this vivid thriller from light comedy to high tension and back again, creating one of his most enchanting and entertaining mysteries. Though this wasn't his final British film before departing for Hollywood (that honor goes to Jamaica Inn), many critics prefer to think of this as his fond farewell to the British Film Industry. --Sean Axmaker

Product Description
In this best-loved of Hitchcock’s British-made thrillers, a young woman on a train meets a charming old lady (Dame May Whitty), who promptly disappears. The other passengers deny ever having seen her, leading the young woman to suspect a conspiracy. When she begins investigating, she is drawn into a complex web of mystery and high adventure.

Customer Reviews

Most Helpful Customer Reviews

42 of 44 people found the following review helpful:

5.0 out of 5 stars A Cinematic Masterpiece, August 5, 2000

By	Anthony Damato "Law professor" (Chicago, IL USA) - See all my reviews (REAL NAME)

There's one thing that movies can do better than any other artistic medium. It's having you experience something from a character's point of view, and then having every other character in the movie say it never happened. Your empathy as a viewer is at its highest pitch: you saw what happened with your own eyes, and so you see it through the character's eyes as well, but then everyone denies it. This is the central scene on the train in THE LADY VANISHES. Nothing, absolutely nothing, in my opinion, is more cinematic than this. When the idea is used to trick the viewer (as in THE USUAL SUSPECTS), it's not as good (although still it's pretty good, because again it uses film in the most empathetic way possible). And when the trickery is fair--as in THE SIXTH SENSE--it can be superb. I rank THE LADY VANISHES right up there with VERTIGO, PSYCHO, and REAR WINDOW, as Hitchcock's greatest gifts to us, the moviegoers of the world. I would even add SHADOW OF A DOUBT to this pantheon. The thing I admire most about Hitchcock is that he was attracted to stories that showed what film could do as an art form. His best movies, in their different ways, display this for us. The movies I've mentioned would not be as good as novels or plays--and this is saying a great deal. It's a test, as a matter of fact, of what separates the film as an art medium from other artistic forms. The two directors who knew this best were Alfred Hitchcock and Walt Disney. It would be so terrific if someone were to come along someday who could be said to be their equal. Bottom line: THE LADY VANISHES is one of the best movies you will ever see, but please, it works at a slower pace than today's movies, so let it sink in for you, don't be in a hurry, EXPERIENCE it!

47 of 50 people found the following review helpful:

1.0 out of 5 stars Great movie, disappointing transfer!, July 12, 2003

By	Floyd E. **** (California USA) - See all my reviews

This is one of my favorite Hitchcock movies, along with "The 39 Steps". After purchasing the Criterion Collection version of the latter movie, I was completely impressed with the technical "magic" of the Criterion people. Picture and sound were much cleaner than my VHS copy of the movie! I purchased the Criterion transfer of "The Lady Vanishes" expecting the same level of quality. I was sorely disappointed. The picture is great, no "static", etc. But the sound is very poor, no better than my VHS tape copy. It fades in and out, especially during dialogue and then blares forth at other times. I felt, frankly, cheated after paying the premium price that Criterion DVD's command. Count me unhappy.

17 of 18 people found the following review helpful:

5.0 out of 5 stars Criterion is Cool, September 9, 1999

By	Matt Howe "outloud98" (Washington, DC) - See all my reviews (REAL NAME)

I don't have the other DVD version to compare this with, but this Criterion edition of THE LADY VANISHES is very good. There is an animated index page with the sound of a train. The print of this film looks very good -- of special interest is the "restoration" section of the index. Through the use of "wipes" the Criterion people show you a before and after version of the cleaned-up print. Very neat.

There is also a commentary from a film historian which is interesting, if a bit dry. I didn't get a chance to listen to the whole thing yet.

This is a good Hitchcock movie. It's a lot of fun -- as innocent as a Nancy Drew mystery at times, but with interesting strokes from the master! I had a good time.