Product Details

• Actors: Edward Norton, Edward Furlong, Beverly D'Angelo, Avery Brooks, Jennifer Lien
• Directors: Tony Kaye
• Format: Closed-captioned, Color, Dolby, NTSC
• Rating: R (Restricted)
• Number of tapes: 1
• Studio: New Line Home Video
• VHS Release Date: August 24, 1999
• Run Time: 119 minutes
• Average Customer Review: 4.6 out of 5 stars See all reviews (657 customer reviews)
• ASIN: 0780625129
• Amazon.com Sales Rank: #9,628 in Video (See Bestsellers in Video)

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Editorial Reviews

Amazon.com
Edward Norton was nominated for a 1998 Best Actor Oscar for his role as Derek Vinyard, a thoughtful kid turned neo-Nazi after his father is slain. Edward Furlong plays his younger brother, Danny, determined to follow in his brother's footsteps. The easy routes the film seems prepared to take never materialize. It continually makes Derek's transformation both in and out of his racist beliefs believable and persuasive. Stacy Keach is given the head vampire role of the local skinhead chapter, Cameron, and he's the closest this film comes to an overt overstatement. Norton, however, is fantastic, embodying a person who roller-coasters through hatred like he can't wait to ride again. His diatribes are not unlike what can be heard on any given conservative radio station on any given day, but he doesn't spew them as cant or screed. Only when his violent emotions take charge, negating any sense or stand, is the underlying fallacy and nature of his beliefs made plain. This film was undermined by the film's own director, Tony Kaye, who made such a braying ass of himself and his work that it distorted the public's view of what is an interesting social and psychological lesson in the war between ideas and ideologues, reason and racism. --Keith Simanton

From The New Yorker
Young Edward Norton, who seemed to have no body at all in the recent "Rounders"-he faded away from the camera, like a ghost-is here muscled up and swaggering, with a swastika the size of a giant tarantula emblazoned on his chest. He plays a skinhead neo-Nazi in Venice Beach, California, and screenwriter David McKenna has composed some shrewd tirades for him that push only slightly past standard white working-class resentment. Norton gives the young thug an ambiguous erotic allure; he's almost appealing. Everything else in this melodrama, directed and photographed by the British commercial director Tony Kaye, is to be regretted-the alternation between color (the present) and black-and-white (the past); the mopey performance by Edward Furlong as Norton's kid brother, who is haplessly turning into a skinhead himself; and the confused political implications of the story, especially the violent ending, which entirely reverses the direction in which the material has been going. Kaye's work is self-important and garish. The movie was taken away from him during the editing phase. It should have been. -David Denby
Copyright © 2006 The New Yorker

Customer Reviews

Most Helpful Customer Reviews

87 of 95 people found the following review helpful:

5.0 out of 5 stars American History X, June 14, 2004

By	nico_laos "nico" (Earth) - See all my reviews

This review is from: American History X (DVD)

How terrifying is it while listening to some of Edward Norton's rants in this movie....that you actually begin to understand his point of view on things? That's a very important aspect of this film. The hatred spewing from his mouth along with statistical evidence and insightful rhetoric places the viewer amist what seems to be an actual white supremicist rally. It becomes easy to see how so many fall into crowds like this with characters like the fictional Derrick Vinyard preaching to the masses. Many people don't like the way the world around them is. They're looking for a change. People like Vinyard offer a path to that change.

But this story is mainly about redemption. The redemption of the character in question, Derrick Vinyard. Only after he loses everything can he begin to see the horrible path that he has beaten for his younger brother who is speedily chasing after him. The unlikely friendship with a black prison inmate and the tutalage of his former principle are what helps him return to his humanity. The simple yet distanced solution to all the hatred and anger that he's felt most of his life comes like an epiphany: "It's just not worth it." A point that he vehemently drives into those around him.

Be forwarned, this is not a happy story. The ending is tragic yet depressingly real. Hatred becomes a vicious circle.

73 of 82 people found the following review helpful:

5.0 out of 5 stars One of the best movies I have ever seen., February 7, 2000

By	FloozyFlapper1926 (Somewhere in the 20's) - See all my reviews

This review is from: American History X (DVD)

This is one of the movies that touched me more than any others have in quite a long time. It puts a human face on skinheads, not glorifying them yet showing how a young person can be warped by a racist father and what racism can do to a family. Derek Vinyard had to learn the truth about racism the hard way by being betrayed in prison and he began to question his beliefs after a black man is the only person who befriends him. He begins to understand how futile and destructive hatred is only to pay for his mistakes in the end. At times this movies is difficult to watch but I think it is important for everyone to see. Ed Norton definitely deserved the oscar for this film and was cheated. Anyone who watches this will see how racism only destroys families, hurts others and destroys one's self in the end. It is brutal yet honest and it is what good filmmaking is all about it. I would give it ten stars if I could. Simply brilliant.

22 of 24 people found the following review helpful:

5.0 out of 5 stars ...From the better angels of our nature..., September 1, 1999

By	"masonx" (Auckland, New Zealand.) - See all my reviews

Stunningly powerful movie which left me and my friends in a state of quiet and thoughtful contemplation even as the titles were concluding. A cautionary tale I guess set in Venice Beach,California about hate and prejudice.Two common human traits of which none of us are innocent.

A talented cast led by those two Edwardians,Norton and Furlong of a story about a young neo nazi who is jailed for three years after the cold blooded killing of a black man attempting to steal his car.This flashback scene is not for the faint-hearted.He is unremorseful at first but eventually finds his epiphany within the stark reality of the prison walls.Enough said.

Despite the controversial nature of the film it does cut to the core hard and fast.I especially liked the flashbacks in black&white.An often used device which works well here,as does the quote by Abraham Lincoln towards the end,"...we must not be enemies but friends..." Many critics have been scathing of the one dimensional supporting characters and they may be right in that respect,Nortons exceptional performance not withstanding but this still does not devalue it from being one of the most critical and memorable films to come out of hollywood for a long time.One of my top ten for this last decade of the millenium and well deserved.