Product Details

• Actors: Tobey Maguire, Reese Witherspoon, William H. Macy, Joan Allen, Jeff Daniels
• Directors: Gary Ross
• Format: Black & White, Closed-captioned, Color, Dolby, Original recording reissued, NTSC
• Language: English
• Rating: PG-13 (Parental Guidance Suggested)
• Number of tapes: 1
• Studio: New Line Home Video
• VHS Release Date: August 31, 1999
• Run Time: 134 minutes
• Average Customer Review: 4.2 out of 5 stars See all reviews (383 customer reviews)
• ASIN: 0780627024
• Amazon.com Sales Rank: #21,724 in Video (See Bestsellers in Video)

Editorial Reviews

Amazon.com
Fantastical writer Gary Ross (Big, Dave) makes an auspicious directorial debut with this inspired and oddly touching comedy about two '90s kids (Tobey Maguire and Reese Witherspoon) thrust into the black-and-white TV world of Pleasantville, a Leave It to Beaver-style sitcom complete with picket fences, corner malt shop, and warm chocolate chip cookies. When a somewhat unusual remote control (provided by repairman Don Knotts) transports them from the jaded real world to G-rated TV land, Maguire and Witherspoon are forced to play along as Bud and Mary Sue, the obedient children of George and Betty Parker (William H. Macy and Joan Allen). Maguire, an obsessive Pleasantville devotee, understands the need for not toppling the natural balance of things; Witherspoon, on the other hand, starts shaking the town up, most notably when she takes basketball stud Skip (Paul Walker) up to Lover's Lane for some modern-day fun and games. Soon enough, Pleasantville's teens are discovering sex along with--gasp!--rock & roll, free thinking, and soul-changing Technicolor. Filled with delightful and shrewd details about sitcom life (no toilets, no double beds, only two streets in the town), Pleasantville is a joy to watch, not only for its comedy but for the groundbreaking visual effects and astonishing production design as the town gradually transforms from crisp black and white to glorious color. Ross does tip his hand a bit about halfway through the film, obscuring the movie's basic message of the unpredictability of life with overloaded and obvious symbolism, as the black-and-white denizens of the town gang up on the "coloreds" and impose rules of conduct to keep their strait-laced town laced up. Still, the characterizations from the phenomenal cast--especially repressed housewife Allen and soda-shop owner Jeff Daniels, doing some of their best work ever--will keep you emotionally invested in the film's outcome, and waiting to see Pleasantville in all its final Technicolor glory. --Mark Englehart

Additional Features
Includes a behind-the-scenes look at the special effects used in the making of Pleasantville.

Customer Reviews

Most Helpful Customer Reviews

57 of 60 people found the following review helpful:

5.0 out of 5 stars A true gem, October 7, 2003

By	Beth Cholette "doctor_beth" (Upstate NY USA) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)

Pleasantville may be one of the best, most underrated movies of all time. I admit, when it was first released, the premise seemed a bit goofy: two teenagers (played by then-unknown actors) are suddenly cast into a Leave It To Beaver-like classic TV town called Pleasantville by none other than Don Knotts (reminds you a little of the forgettable "Stay Tuned," doesn't it?). Upon their arrival, however, they discover that Pleasantville isn't everything it's cracked up to be and that being "pleasant" means missing out on some basic, vital parts of life (such as toilets, and of course, sex). What follows is an amazing transformation: of the main characters, the town, and even the movie itself, whose stunning cinematography slowly adds bursts of color to Pleasantville's black and white world while simultaneously providing a metaphor for the race conflicts of the 1950s and 60s. The two unknown actors turn out to be the now-famous Tobey Maguire and Reese Whitherspoon, both of whom shine like the stars they are in one of their first movies. Added to this are excellent supporting performances by some of the best in the business, including William H. Macy, Joan Allen, Jeff Daniels, and the late great character actor J.T. Walsh. An absolutely incredible, must-see film.

25 of 31 people found the following review helpful:

5.0 out of 5 stars Beautifully Acted, January 2, 2005

By	Kristy Howard "Student" (Los Angeles, CA) - See all my reviews

This review is from: Pleasantville (New Line Platinum Series) (DVD)

Pleasantville is like a colorized movie version of Twilight Zone. A modern day boy (Toby McGuire) dreams of going back to the innocent days of the 1950s. When he gets his wish via a magical stranger played by Don Knotts, he and his sister Reese Witherspoon steps into a black and white world of Pleasantville, a town stucked in the 1950s. As the town's innocence is wiped away with the introduction of books and knowledge, color replaces the black and white starkness of the town and its people. Beautifully acted and filmed, this movie has heart and a brain.

12 of 14 people found the following review helpful:

5.0 out of 5 stars A Deep DVD For A Deep Movie, January 2, 2000

By	Chris Wells (Chicago, IL) - See all my reviews

This review is from: Pleasantville (New Line Platinum Series) (DVD)

Pleasantville is a fantastic film experience, and don't let anyone tell you otherwise. A true, striking, and original masterpiece; Pleasantville is a must for any movie fan. What makes the film such a joy is how it exists on so many levels; almost anyone can find something to like here. It's at times a simple fantasy, others a biting satire, and even others an account of our history and change as people. Pleasantville is purely original and very well-structured. It deals with mature themes and if you're someone who likes to analyze films, then this is a great choice. The DVD warrants a purchase, even if you already own the VHS version (as I do), one of the few DVD's that does. Do yourself a favor and listen to writer-director Gary Ross's commentary-it's dynamite, even if you generally do not like commentaries. It's incredibly enlightening and adds much to the film's depth. Ross cleary illustates all of the overlapping themes and symbolism, and adds a personal touch to the movie's meaning. (The unintended rip-offs of The Shawshank Redemption and Citizen Kane are particularly interesting). The film has a bright, crisp transfer and excellent sound. The only way to enjoy Pleasantville (other than the theater) is on DVD. Newman's music is magical, also. There's a neat (oh, I'm talking like a 50's person now) behind the scenes documentary on the film's jaw-dropping special effects. The included Fiona Apple music video is pretty neat and directed by P.T. Anderson. (Anderson fans take note: watch for Anderson regular John C. Reilly at the video's end.) Overall, a DVD to buy: one of '98's best films with tons of extras to boot. Swell.