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81 of 83 people found the following review helpful:
5.0 out of 5 stars
Nero and the Christians, May 26, 2003
The Christian v. lion's story has been around so long that it has pretty much become a kind of myth. It is a phrase one brings up in order to illustrate some point or other, but is hardly ever thought about in historical terms. In fact, Christianity itself sometimes seems as if it is becoming a kind of myth. The left doesn't take it seriously, and bashes Christians for being intolerant and condescending. But Christians, in their haste to retaliate, often act intolerant and can be arrogantly condescending. The sense of what it means to be Christian seems to get lost in all of this. Quo Vadis takes us back to the days when Christianity was fresh and new and shows us just what kind of world it was then that caused such a movement to flourish. This alone would make it an excellent novel, but it works wonderfully on all levels. The characters are superbly drawn, the setting is realistic, the plot crackles along, and, perhaps most importantly in a novel with this subject matter, it never becomes preachy or didactic, instead maintaining an objective perspective throughout. Rome was the greatest of the ancient empires, yet despite all of its glorious achievements, it was truly a barbaric place. The concept of human rights was non-existent. Slaves--of all races--were property, and could be used in any way one saw fit, including the most vicious or depraved. The rule of law, while discussed in philosophical terms, was only sporadically and occasionally applied. The law instead came and went at the whim of the powerful, and if the powerful happened to be someone like Nero--the ruler of Rome during the course of this novel--then the law was sadistic, cruel, wicked and unpredictable. We see the effect that living this kind of society has on the two main characters of the novel, both of whom are members of the upper crust: Petronius, a courtier; and Vinicius, a military officer. Petronius, as Nero's confidant, can never let his guard down. He must flatter, cajole, deceive and manipulate Nero every minute of the day, for his very life depends on it. It is a life, "drained and listless and detached," as we are told in the first sentence of the novel. Vinicius falls in love with a captive Christian female, and through his love we see how Christianity changes his life. But it is an unbelievably difficult and dangerous undertaking--with the demented presence of Nero and his sycophants looming over everything--to form an attachment with a person and then a cause such as this. It gradually dawns on us how the Christian movement began in the first place, and why attempts were made so mercilessly to stamp it out. Instead of dishonesty and cruelty, it called for honesty and kindness. Instead of privilege for the elite, its promises were made to all. Instead of arrogance, it preached submissiveness. Perhaps most importantly, it simplified one's life, and allowed one to live without fear. Rome is burned, possibly at Nero's orders, incredibly, so that he can experience suffering as he believes a true artist must. To divert the anger of the Romans, he blames Christians. Thousands of men, women, and children are rounded up, put in dungeons for months, then on successive festival days were crucified, burned alive, mauled by gladiators, and, as we know, attacked by wild animals. Their fate is so hideous that in time even the jaded Romans became sickened by it. These historical events, and the actions of the characters during them, are what make up the bulk of the novel. To say the least, it makes for very compelling reading; indeed, some parts are difficult to bear. And as mentioned, it is presented in a very objective way. Not all of the Christians are presented sympathetically--one, in fact, is a fiery, all-will-be-damned type--and not all the Romans are presented harshly. The noblest character in the novel may very well be Petronius, who uses his influence as much as he can to alleviate the suffering he sees around him. And although he recognizes to some degree the power and decency of the movement, he himself does not wish to become a Christian. He can not abide the idea of being required to love his fellow man, most of whom--the unwashed, ignorant mob--he detests. He is a magnificent creation. The book is a real eye-opener, a good reminder of what the world was like before the birth of Christ, and a sobering reflection on what being a Christian truly means. At the same time it is also a superbly researched and entertaining piece of historical fiction, and the kind of thing for which historical fiction buffs are constantly on the alert. Great stuff. (I should mention that this review is of the Kunizak translation.)
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by Thomas Bertram Costain
by Joe L. Wheeler
by W. S. Kuniczak
DVD ~ Robert Taylor
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