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70 of 72 people found the following review helpful:
5.0 out of 5 stars
Captures the endemic seach for liberation in 1930's Paris, October 26, 2002
This 1990 film, directed by Philip Kaufman, is set in Paris in 1931. This was a time and place between the two world wars that attracted writers and artists to a bohemian lifestyle, a time of discarding old conventions and embracing experimentation. Here, Henry Miller, an American expatriate wrote his wildly erotic books, which were banned in the United States. And Anais Nin, known for her extensive diaries about her sensory experiences, began her literary career here. It's no wonder that the two of them would meet and couple. They were both married at the time and this film is about the complex relationships between Henry, Anais, and their respective mates, all searching of a kind of liberation which was endemic at the time.Fred Ward plays Henry as a crass American with a Brooklyn accent that makes native New Yorkers, such as myself, cringe. He's all man though and it's easy to see why Anais Nin, played by the large-eyed petite Portuguese actress Maria de Medereiros, is attracted to him. Her own husband, Richard E. Grant, is attractive as well, and it's clear that they have a good romantic life together, but he's willing to look the other way at his wife's desire for others. When Miller's wife, June, played by Uma Thurman, a fiery androgynous mother-earth figure, comes on the scene, Anais Nin finds herself attracted to her as well. This sets the scene for some interesting complexities. The video is two hours and 16 minutes long and I expected to watch only half of it one evening and the rest of it the next night. However, from the moment it started I was completely captured by the story and just had to watch it all the way through. The cinematography is so good that it was even nominated for an academy award, not for just the excellent views of Paris, but for the way the intimate scenes are done which manage to convey the relationships and the sensualities of the moment while avoiding being explicit. The focus is on the romance and the concepts rather than the physical acts. This kept the scenes erotic and it also moved the story forward. I was totally intrigued and kept wondering what would happen next. The acting was uniformly good, but special note goes to Maria de Medeiros who played Anais Nin. As she works primarily in French films, I had never seen her before. She uses her huge dark eyes and facial expresses so well, that just a glance conveys layers of meaning. She's the focal point of every scene, in spite of the larger and more voluptuous Uma Thurman. And that's exactly what the director intended. Some might find this film slow as the drama and tension is just about the people, not about world events or outside influence. However, it manages to create a time and a place and people that influenced the literary world as well as the mores of future generations.
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20 of 20 people found the following review helpful:
5.0 out of 5 stars
HENRY MILLER ACCORDING TO ANAIS NIN, April 27, 2000
At least two movies of Philip Kaufman will stay in movie history, THE RIGHT STUFF and HENRY & JUNE. Produced by Philip Kaufman's son, co-written with his wife Rose Kaufman, HENRY & JUNE is a family affair. One could say that it is a european movie filmed in an american manner. Don't get me wrong, it's a compliment !Fred Ward as Henry Miller, portuguese actress Maria de Medeiros as Anais Nin and Uma Thurman as the woman inspiring the two writers, Richard E. Grant and Kevin Spacey in smaller parts, the whole cast gives a superb performance. Don't expect pornographic scenes in HENRY & JUNE, sex is more suggested than showed. Philip Kaufman is interested in the relation between Henry and Anais and doesn't follow Henry Miller in his multiple adventures in Paris' brothels. Henry Miller lives in a Paris that Federico Fellini could have created : enjoy this carnaval full of fellinian faces or Henry Miller's neighbors (you can recognize among them french clown Pierre Etaix in one of his last performances). Philip Kaufman has recreated the Paris which was the center of such movies as Marcel Carné's LES ENFANTS DU PARADIS or LE JOUR SE LEVE. Poetic realism was the name of this french movement of the 1935-1945 period. Average extra-features but over the top audio and video transfers. A DVD for your library.
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21 of 23 people found the following review helpful:
4.0 out of 5 stars
Literate Passion, April 12, 2001
One of the most underrated movies of the 90s. (It also marks a disappointing moment when the studio _could_ have backed up an NC-17 film not porn but meant for _real_ adults....but caved to puritanism instead). The top two reasons to see it are the performances of Maria de Medeiros as Anais Nin (it's almost a reincarnation) and Uma Thurman as June, two of the sexiest, most intelligent, passionate portrayals of women in recent cinema. Forget Thelma and Louise -- these two are a combustible pair. Fred Ward's performance as Henry Miller, too low-key, is pretty much lost in the shuffle, without any of the dynamic magnetism Miller had in spades. The movie explores the nature of desire, infatuation, obsession, and real love, and is pretty faithful to the actual events -- but some elements (such as the significance of June's puppet Count Bruga, made for her by her lesbian lover, Jean) are lost in the translation to the screen. For people bored to tears by the dichotomy of soulless porn on the one hand and Hollywood mush on the other, this is an intelligent and _sexy_ movie. Two lovely companion books are Anais Nin's diary "Henry and June," on which the movie was based, and Nin's and Miller's unexpurgated letters, "A Literate Passion." That title sums up both their lives and the movie based on them.
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