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18 of 22 people found the following review helpful:
4.0 out of 5 stars
good for a x-men newbie, bad for a hardcore x-fan, July 11, 2000
it offered a brief stint into the past lives of rogue, wolverine, and magneto. Being an x-fan, i can tell you that most of this book is very innacurate. Either the writer didnt do much research, or he meant it to be much unlike the comic book series. I do believe that this book is meant to be a "prequel" for the upcoming movie. But if that is so, the movie will be very innacurate also. For instanct, wolverine and storm joined the x-men at the same time, when in this book, it suggests that storm preceded wolverine in her membership. There are many other innacuracies. But to be positive, all 3 stories are very well written and have excellent plots. the art is good too. If you can look past the inaccuracy of it, you will like this book.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
The comic book of the movie that was based on a comic book, March 7, 2002
It is always interesting to see the official comic book adaptation of a movie that is based on a comic book in the first place. Ralph Macchio has the honors of adapting the screenplay, with penciler Anthony Williams and inker Andy Lanning handling the artwork. Obviously this is really no place to talk about how the X-Men comic was adapted to the silver screen, but rather how it makes the transition back to its original art form. My criticism boils down to one basic comment: 48-pages is not long enough to tell this story. Macchio gets all the words in but Williams is pretty much handcuffed from turning the movie into a "real" comic book. Entire scenes are crammed into a couple of pages and outside of a few splash panels there is no opportunity to use the medium to the advantage of the story. Look at what the big fight between Sabertooth and Wolverine boils down to. We have seen entire comic books devoted to epic fights between a single superhero and a single supervillain. This is just too crammed into this few pages and despite Williams's efforts you know he could have done better with half again as many pages with which to work.Also included in this collection are reprints of a pair of X-Men issues focusing on Magneto and arguably their best confrontation, #112 "Magneto Triumphant" and #113 "Showdown" (both illustrated by John Bryne), as well as #171 "Rogue," penciled by Walt Simonson and finished by Bob Wiacek. There are also pages from Marvel Comics Presents #72-75, which was the Weapons X storyline focusing on Wolverine and drawn by Barry Windsor-Smith, who drew the worst looking X-Men comic of all time as one of his first gigs at Marvel (he drew it on benches in the park). Of course, these efforts showcase some of the better examples of comic book storytelling and artwork and you have to wonder what it would be like if the movie adaptation was twice as long and half of the reprints were jettisoned. Final note of curiosity: So how much the credits are only provided for one of the four reprints? Hmmmmm.
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6 of 8 people found the following review helpful:
2.0 out of 5 stars
It's not a 'book'., October 28, 2000
By A Customer
I'm an X-Men fan, and I have been for many years. With slight trepidation and nervousness I went and saw the movie...I LOVED IT!! Stupid me, in my haste to read a written novelization of the movie, I ordered this 'book' with mighty expectations. I expected a written adaptation of the movie...sort of like what Terry Brooks did for SWI: The Phantom Menace.Nope, this is not a book revealing the innermost thoughts of the characters...It's a glossy comic book...and the art wasn't even that great. While I love comics, this thing fell flat as far as I'm concerned...I gave it away to a friend...who later threw it into the donation dumpster at Goodwill.
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