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38 of 39 people found the following review helpful:
4.0 out of 5 stars
The original Avengers reassemble as the Ultimates, June 10, 2003
"The Avengers" was the one Marvel Comic from the Golden Age that never really clicked for me. Since I liked the "X-Men" and "The Fantastic Four" I know it was not an inherent aversion to superhero groups. But the roster of the Avengers seemed to go to extremes. They started out power heavy with Thor and Iron Man and then went ultra light with Hawkeye and the Scarlet Witch. Coming up with villains was always a problem because you needed opponents that justified all those heavyweights. Remember, when the Avengers were first created they accounted for half of Marvel's titles. That being said, on balance I liked "The Ultimates," the new and improved 21st century version of the Avengers written by Mark Millar ("Ultimate X-Men") and penciled by Bryan Hitch ("Justice League of America") more than the original, although certainly there are things you have to take with a grain of salt. Part of the way these Ultimate titles work is that they are aware of the characters and stories that existed in the "real" Marvel Universe and try to play off of them in new and interesting ways (admittedly, with mixed results). There is also a concerted effort to take the time to tell the tales, so that an encounter with a specific villain has a multi-issue arch, which works well with these trade paperbacks. Volume 1, "Super-Human" has to do with the formation of the group and their first collective effort to bring down the Hulk, collecting the first five issues of the series. The idea is that Bruce Banner's days as the Hulk are behind him and he is in charge of the government's effort to update the super-solider formula that created Captain America way back when. In charge of the proceedings is Nick Fury, who I believe first popped up looking like Avery Brooks with an eye-patch in the pages of "The Ultimate Spider-Man." The story begins with the final mission of Captain America during World War II, but after that point is told in media res, with all of the superheroes who make up the Ultimates already recognized as superheroes, albeit with one large exception. The Captain America thread is the best of the bunch, with Steve Rogers getting caught up on his life 57-years later and free from that annoying guilt over the death of Bucky Barnes. It is too early to tell about Iron Man and the Tony Stark who is living the highlife and seeking adventure for very personal reasons. When the Hulk finally makes his appearance I had problems reconciling his beer-guzzling sex-driven rampage with the idea he was killing dozens of people and leveling Manhattan to get at Freddie Prinze Junior; putting a comic twist on the Hulk does not work for me (but the fear of Betty leaving Bruce Banner alone was good). Then there is Thor, "a New Age guru who may either be the living son of a Norse god...or a lunatic with a big hammer." How they are going to make this one work will be interesting. Then there is the case of Henry and Janet Pym, a volatile relationship that is heading towards the dark side and offers the Ultimates their key soap opera elements (Janet makes the big mistake of making Hank look small). The result is good but not great, but then the entire Ultimate line point out by Marvel has proven itself to be worth at least a look by the faithful, whether you were around when the Marvel "Pop Art" books hit the stands in the early 1960s or have come to them in the age of comic book shops. Hitch's artwork sets a nice tone for the stories, especially when Thor starts going into his Thunder God routine and the opening World War II sequence. Whatever you think of Millar's innovations, you have to admit the end product comes together and is totally in the spirit of the Ultimates approach to retelling the great adventures of the original core group of Marvel characters.
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21 of 23 people found the following review helpful:
5.0 out of 5 stars
ULTIMATE ORIGINALITY!, January 20, 2003
The Ultimates is as original as a "re-imagining" of characters can get. This TPB collects the first six issues of the series and re-introduces us to the characters of: Captain America, Iron-Man, Thor, Giant-Man, and the Wasp. Each of the characters is handled well and Mark Millar does a good job of setting the tone of the series...which starts off slow and then powers forward to the conclusion of Issue #6.On the weakness front we have Millar's usual M.O. of rushed storylines and too many characters. Unlike his run on Authority or Ultimate X-Men he has just enough characters to juggle without too much confusion (Thor is the only lacking character in the TPB). The only other problem that readers may face when diving into The Ultimates is that it does not tell a complete tale. This TPB was rushed out while the title is enjoying an immensely popular run so there is no 'end' to the stroyline...but there is one heck of a set-up for what will undoubtedly unfold in the second TPB. But let's look at the strengths of the Ultimates:
1) A great WWII intro with Captain America as well as a new take on the Cap - Bucky friendship. 2) A great twist on why millionaire Tony Stark would want to be Iron-Man. 3) The strong use of SHIELD and Nick Fury in setting up the Ultimates...and then the hilarious idea that..."Now that we have a superhero team...what happens if we never have any villains to fight?" 4) A good battle with The Hulk (who is much more enjoyable to read when instead of saying "Hulk Smash!", we get..."I'm gonna rip off your head and #@!& down your neck!" It scared me. 5) Domestic violence between Giant-Man and the Wasp which was handled more powerfully than anything I'd read in a long long time. Rereading the scene and reading between the lines only helps demonstrate that these are heroes with "real world" troubles. All in all I recommend The Ultimates. While not as strong as Brian Michael Bendis run on Ultimate Spider-Man, it does outshine the Ultimate X-Men and 95% of the comics and TPB's being published today.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars
Avengers For the 21st Century!, September 4, 2002
In the beginning, there was a global altercation that became known as World War II, an altercation that plunged sons into a similar bloody chaos that had enveloped their fathers only twenty years ago. During this second World War, though, a choice was made to create a new hero and wrap him in the red, white and blue of the flag of the United States-a living, breathing, battling embodiment of strong-willed freedom. They named him Captain America, and he was every bit the symbol that those far-thinking men had hoped he would be. Only one day they lost him. The loss came as they had thought it would, in the heat of battle, warring against impossible odds for the highest stakes imaginable. Even in tragedy, Captain America still succeeded. Years later, with the future of the world in question and stakes rising around the globe, another decision has been put into play regarding the invention of not one, but several super-powered beings-and all of these heroes would come together under the close-knit supervision of General Nicholas Fury, one-eyed leader of S.H.I.E.L.D. Fury has talked the American government into reactivating the Super-Soldier program that created Captain America. Unfortunately, under its first incarnation, Dr. Bruce Banner created a rampaging entity that came to be known as the Hulk and all but got the program cancelled. Banner takes the number two spot on the new program, and the lead designer role goes to Dr. Henry Pym, who has already begun experimenting with communication with ants and size-changing powers, calling himself first Ant-Man then Giant-Man. His lovely wife Jan, hiding dark secrets of her own, is the Wasp. Tony Stark, known throughout the world also as Iron Man, has also agreed to join the team for reasons of his own. Even as the new Super-Soldier program goes on-line, Captain America turns up in suspended animation, a combination of the freezing waters of the North Atlantic Ocean and the super-soldier drug in his system. At the same time, General Fury opens negotiations with Thor, a self-proclaimed deity, environmental activist, and New Age guru, resides in Norway but has powers over the weather that no one can explain. A considerable amount of political jockeying has to take place before the team of super-powered individuals begin to assemble-and that cohesion also takes the reappearance of the Hulk, bigger and badder than ever, and way past control. If Fury's Ultimates aren't careful, they could only be singing the opening stanza of their swan song.Mark Millar, author of THE ULTIMATES, has also written THE AUTHORITY, ULTIMATE X-MEN, THE FLASH, SUPERMAN ADVENTURES, VAMPIRELLA, and THE COLUMN for Comic Book Resources. Bryan Hitch has drawn for JLA, THE AUTHORITY, MARTIAN MANHUNTER, and WILDCATS. Anyone who has read comics, especially Marvel Comics, is familiar with the genesis material for this Ultimate Marvel series. The original Avengers (Thor, the Hulk, Iron Man, Ant-Man, and the Wondrous Wasp) gathered to defeat the menace of Thor's evil half-brother Loki in the 1960s. Comic books have never been the same since. THE ULTIMATES: SUPER-HUMAN is clearly a 21st century relaunch on that comic. Mark Millar brings darkness and a razor-edged thrill to the series. All of the characters have been made over in his or her own image, but with new oddities and twists that increase long-time readers' interest with a new look at favorite heroes, and offer an organic history of very real characters for the uninitiated. In some ways, the flow of the story seems very familiar: the Hulk is a rampaging monster trapped inside weak Bruce Banner, Captain America is rescued from a frozen wasteland after being preserved in suspended animation, Hank and Janet Pym are married, Thor was an emergency medical technician till something changed him into a Norse god (or revealed that aspect of himself), and Tony Stark/Iron Man is a rich playboy. But the spins that Millar brings to the characters and to the stories are unique and the stuff from which successful series spring from and run for years. Bryan Hitch's artwork is jaw-droppingly beautiful, panels and splash pages of action and character interplay that seizes the eye and just won't let go. Even after a reader has finished the graphic novel, he or she will probably find himself or herself wandering back through the pages just admiring the art. The decision to set the first issue back during World War II was dead-on. Seeing Captain America in action, especially dressed in Hitch's take on the familiar red, white and blue uniform (complete with pistol, ammo belt, and helmet) draws the reader into the story with the urgency of an all-or-nothing mission in the final days of the war. The final couple pages showcasing Tony Star atop a snow-covered mountain peak, knowing he is Iron Man, whets the appetite for the next issue. Each of the six issues of the monthly comic gathered in this graphic novel lends itself to the next, building on the action and sharp character byplay of the previous issue. THE ULTIMATES is recommended to regular AVENGERS fans and to anyone who is only now discovering the breathtaking world of the graphic novel. Readers that have learned to enjoy the graphic novel medium can't afford to pass up on a book that is definitely going to be an award contender.
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