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307 of 323 people found the following review helpful:
5.0 out of 5 stars
A Comic Masterpiece, July 17, 2000
This book is quite simply a comic masterpiece, a novel brimming with original characters, absurd situations, and at its heart a blustery, vulnerable mama's boy named Ignatius J. Reilly. He is one of the most startlingly original characters in modern fiction, and his efforts at hitting the job market after his mother smashes their car will leave you in stitches.A word on the history of the novel is worth mentioning here. The author, John Kennedy Toole, committed suicide in 1969, and his mother found the hand-written manuscript in her son's papers. She brought them to a publisher, who dreaded having to read even a portion of the work and to notify Toole's mother that it stunk. Instead, he was blown away by Toole's draft, and the rest is history. The novel earned him a posthumous Pulitzer Prize, and it is universally hailed by critics. Trying to summarize the plot is impossible - the book cannot really be categorized. Ignatius is an over-educated oaf who stays home filling his writing tablets full of his offbeat musings on ancient history, which he plans to organize and publish some day but which presently reside all over his bedroom floor. Rome wasn't built in a day he reminds himself. He cites in footnotes, as authority for some of his offbeat opinions, papers he had previously written and hand-delivered to the local university library for inclusion into their archives. He watches dreadful tv shows and movies, howling at the screen with a mixture of delight and loathing at the teenybopper drivel, and in the privacy of his room his self-gratification is performed while imagining visions of the old family dog. And wait til you see him out in public, getting a series of odd jobs, including a filing clerk at Levy Pants (with very innovative filing techniques to avoid crowded file space) as well as a costumed hot dog vendor wandering around the French Quarter in a pirate costume. All the while he begins work on his latest opus, The Journal of the Working Boy. There is a latent sadness to the plot, for while you are laughing out loud at Ignatius, his bowling-addicted mother, and the motley crew of skillfully drawn supporting characters, you sense that he will never really belong anywhere, and that he realizes his outcast status with his innate intelligence. Perhaps the author felt the same way in 1969, leading to his own suicide. However, at least Toole did leave us A Confederacy of Dunces, a novel which reveals more with each rereading. Keep it on your shelf, and every now and then pick up the book to any page and marvel at the absurdity of Ignatius's grandiose ramblings, read exerpts of his bizarre historical writings, and revisit his comic efforts to organize a worker's revolt at Levy Pants. The list goes on and on. There is no work of litereature like it I know, and my only regret in reading Toole is the sorrow felt in knowing the tremendous body of work that was lost when he ended his life.
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123 of 133 people found the following review helpful:
4.0 out of 5 stars
Tragic Till Eulenspiegel, October 10, 2002
Reading a highly popular, arguably classic, cult favorite with a fresh eye and without preconceptions is not an easy task. I expected Ignatius J. Reilly to leap off the page at me. I wasn't disappointed. On the first page, outside a staid department store in New Orleans, Ignatius in his usual grotesque costume of green hunting camp and too small flannel shirt is awaiting his mother innocently enough until a policeman decides he is a vagrant and tries to arrest him. A crowd is quickly engaged by his steaming objections and loud protestations. Ignatius is at his best when hollering for help. When his weary mother makes an appearance, "Mother!" he called "Not a moment too soon. I've been seized."We quickly meet friends and denizens not quite on the underside of New Orleans, but leaning that way. Ignatius is a force of nature that needs to be fed, nurtured, and kept on course not only by his long-suffering mother, but any citizen who happens to cross his path. If Ignatius is left to his own devices, he is like a loose pinball, except a pinball never screams for help. Ignatius, who is the epitome of pseudo independence and ingratitude, actually is fearful of being left alone. When his mother, for the first time in living memory, decides to have a night out, Ignatius is piteous, "I shall probably be misused by some intruder!" he screamed. For the first third of the book, I was highly indignant at Ignatius: his selfishness, his arrogance and his ingratitude. Gradually, I became fond of him and then fearful for him. He is underscored with tragedy; he has a vision of a world not of his making and it threatens him. Somehow Mr. Toole gathers up all the threads and the end is not chaos as I feared, but everyone seems to get just what they deserve. I was pleased, and I think you will be too. -sweetmolly-Amazon Reviewer
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53 of 56 people found the following review helpful:
5.0 out of 5 stars
Quixote, Bergerac, Schweik, REILLY..., March 17, 2000
When I first saw the cover of this paperback in a Georgetown, DC, bookshop a few years ago, I was hesitant to buy it. Simply put, the cover is goofy, and does not do this masterpiece any justice. I am so grateful that I ignored my initial instinct, as I don't remember ever reading a funnier book in the English language than the late John Kennedy Toole's life achievement, nor is there a more memorable character in American literature than I. J. Reilly. The work deserves a 6 star rating! "A Confederacy of Dunces" is more than just incredibly funny, however. It is unusually poignant, gut-wrenchingly sad, and an admirable observation piece on a rather decadent and seemingly lost segment of our society sitting at the mouth of the Mississippi River. I have visited New Orleans three times since 1994 for varied reasons, and the city apparently has not changed in the least since Mr. Toole's late 1960s rendition. His characters continue to stroll and struggle along Bourbon Street and Canal Street, and their troubled spirits infuse every alley and cave of the French Quarter. Just like the district surrounding St. Peter's Square in the city of jazz, Ignatius J. Reilly is out of step with the rest of America. In spite of his repulsive and grossly comical physical presence, he believes in aesthetics and real meaning, in what he perceives to be the truth. For this reason, he is a true literary hero, like Don Quixote, Cyrano de Bergerac and the Good Soldier Schweik before him. One final note: before you buy this book, think about cancelling all your appointments and engagements for the two or three days that follow. They, along with eating and sleeping, undoubtedly will be totally neglected until you finish this 400 page tour de farce.
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