Amazon.com Review
Theater director Peter Sheridan's bracing memoir is timelessly Irish in its lyrical, word-drunk portrait of a boisterous family touched by tragedy: his younger brother, Frankie, died, aged 10, from a brain tumor. The book is also very much a document of the 1960s. It opens on New Year's Eve as 10-year-old Peter and his Da struggle to install a roof antenna: "Half an hour into 1960 we all sat staring at the television." The television goes on to play a major role in the Sheridans' perceptions of life beyond 44 Seville Place, Dublin, particularly when the Troubles explode across the border in Northern Ireland, their mother's birthplace. Rock & roll provides the soundtrack of Peter's youth, though theater becomes the lifeblood for him and older brother Shea (better known now as film director Jim Sheridan--
My Left Foot,
In the Name of the Father). Ending with the decade's last New Year's Eve, as he prepares to enter Trinity College, Sheridan closes a complex but seamless circle of metaphors and themes. His father finds the part necessary to fix their ancient TV, and when the family hears Da singing "Frankie and Johnny" in the bath for the first time since their Frankie's death, they know they have survived.
--Wendy Smith
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Sheridan's crackling prose and details about Dublin life recall the fiction of Roddy Doyle, but this real-life story paints a brighter picture of the Irish family than does Paddy Clarke Ha Ha Ha. With belly-laughs, sighs and tears, Sheridan recalls life at his home at 44 Seville Place during the 1960s, when he came of age, the Beatles made Sgt. Pepper's Lonely Hearts Club Band and the Americans walked on the moon. Looming large in the narrative is his ebullient father, whom we first see using cut-up pages of the Dublin phone book for toilet paper. "Da"'s comic mishaps include food poisoning from repairing his own false teeth, and blue and purple hair from an amateur dye job. Sheridan also pokes fun at himself, milking the classic autobiographical themes of ineptitude in sports and love. Fear of a sadistic teacher, the trauma of sexual predation and death in the family provide the darker memories of growing up. Sheridan, a prominent figure in contemporary Irish theater, was the first student from his local school in 25 years to go to university. With his brother, film director Jim Sheridan, he well represents the current cultural explosion in Ireland, and communicates the experiences and values that fuel today's rich artistic scene. Readers of this friendly, direct book will easily be able to picture the author telling his tales in a cozy Dublin pub. Penguin audio; author tour.
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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