Amazon.com Review
In a narrative as glittering and richly detailed as a Persian miniature, Donna Jo Napoli interprets and amplifies the tale of Beauty and the Beast with startling originality. We've seen her keen psychological insights, surprising viewpoints, and clever twists on traditional fairy tales in previous novels: Hansel and Gretel in
The Magic Circle, Rapunzel in
Zel, Jack and the Beanstalk in
Crazy Jack, and Rumpelstiltskin in
Spinners. Here she uses the intriguing setting of ancient Persia in a glorious retelling of the now-Disneyfied favorite--a bold undertaking with which authors from Robin McKinley to Francesca Lia Block have also challenged themselves.
Napoli, however, brings a fresh slant to the story through the eyes of the Beast, Prince Orasmyn, who has been transformed by a curse into a lion--and can only be redeemed by the love of a woman. From this four-footed perspective, the young prince struggles to learn how to survive as a beast while retaining his humanity in devotion to Islamic moral principles. Fleeing his father's hunting park, he travels as an animal across Asia to France, where he at last finds an abandoned chateau. There, using paws and jaws, he plants a rose garden and prepares the castle for the woman he hopes will come to love him. Enter the merchant, the plucked rose, the brave Beauty, and the story wends to its traditional end--but this time with compassion and a new vividness. Into this sumptuous tapestry Napoli has woven a wealth of lore about Persian literature, the tenets of Islam, rose culture, animal behavior--even a leonine mating scene. This level of detail makes for a leisurely pace and a novel that may be more appropriate for older teens who are willing to savor the journey rather than the destination. After all, we all know how the story ends. (Ages 14 and older) --Patty Campbell
--This text refers to an alternate
Hardcover
edition.
From Publishers Weekly
Despite its wonderfully imaginative premise, this refashioned Beauty and the Beast falls curiously flatAit is more cerebral than romantic in tone, more laborious than lush in its execution. Unlike Robin McKinley, whose Beauty and Rose Daughter focus closely on the heroine, Napoli (Crazy Jack; Zel) concentrates on the Beast. He is first met as Orasmyn, son of the shah of Persia. As the royal family prepares for a sacred feast, Orasmyn makes a grave error in permitting a scarred camel ("a beast who knew suffering") to be sacrificed in a holy ritual. Although the sacrifice has been offered to God, it is a djinn (a spirit that can take on disguises) who takes offense and curses Orasmyn, who awakens the next day to find he has been turned into a lion. The bulk of the novel is devoted to Orasmyn's life as a lion, everything from his probing of the complexities of his fate and his Islamic prayers to his constant efforts to obtain food and his inability to resist other animals' kills. More attention seems paid to the mechanics of Orasmyn's strange existence than to the narrative logic; the storytelling strains when Orasmyn walks, by night, to the South of France and finds a beautiful castle that has been abandoned and left unplundered, presumably because it is rumored to be haunted. When Orasmyn finally meets Belle, they fall in love over the Aeneid, which Belle reads aloud to him in Latin (quoted here, without translation). At her father's, Belle misses "reading and praying together" with Orasmyn; love is mentioned but not emphasized. The weight of the historical and cultural settings overpowers the mysteries and enchantment of the original plot. Ages 12-up. (Nov.)
Copyright 2000 Reed Business Information, Inc.
--This text refers to an alternate
Hardcover
edition.
by Donna Jo Napoli
by Donna Jo Napoli
by Robin Mckinley
by Donna Jo Napoli
by Donna Jo Napoli
