From School Library Journal
Grade 6 Up–In free-verse narratives, one biblical and one modern, teenagers Ishmael and Sam introduce themselves and relate their parallel problems with their fathers. Abraham is exiling Ishmael, son of his Second Wife, now that elderly Sarah has finally had a son. Sam's dad has left Sam's mother for a younger white woman. In Book One, Ishmael's poems express his pain, confusion, and love: Half Chaldean./Half Egyptian./Half slave./Half free./Half loved./Half hated./Half blessed./All me. His story is set against the background of nomadic desert life, always in the context of God's relations with, and plans for, him. Book Two gives present-day Brooklynite Sam his say: black man breaks/black woman's heart/to marry white witch. He's angry at his father, baffled by his mother, and resistant to his stepmother's friendly overtures. Luckily he has friends and faith; prayer and a kiss from a potential girlfriend provide some peace. The biggest obstacle turns out to be the biggest help: his dad's new son worms his way into his half-brother's heart. Books Three and Four continue the first-person accounts: Abraham's second son is clearly his favorite, and Sarah (a witch here) withdraws her love from Ishmael. Anger and jealousy threaten Ishmael's relations with his father and with God. Sam's father leaves him disillusioned and betrayed. The cross-play is effective, though Sam's story is more vivid and engaging. References to God (not Jesus) layer another father into the mix. Religion is a key part of the healing, but even faith-challenged readers can admire and learn from these stories of struggle in vernacular verse.
–Patricia D. Lothrop, St. George's School, Newport, RI Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
*Starred Review* Gr. 5-8. "Why does he have to run off? / To start some new family? / With her?" Teen-age Sam can barely contain his fury and hurt when his father gets married again, this time to a young white woman, who gives Sam a new baby brother. In a parallel, first-person narrative that draws on Genesis, young Ishmael and his mother, Hagar, rejected by Abraham, wander in the desert, after Sarah bears Abraham's child. Grimes' clear, free verse speaks with immediacy and lyricism about both boys' feelings of betrayal and loss. The real focus, though, is on Sam, who complains to his high-school friends ("It's my stepmom, man. / My dad wants me / to give her a chance / But I can't") and talks to and screams at God--until he's able to ask God to help him let his anger go. The simple words eloquently reveal what it's like to miss someone ("I've stopped expecting / his shadow in the hallway / his frame in the doorway"), but even more moving is the struggle to forgive and the affection each boy feels for the baby that displaces him. The elemental connections and the hope ("You made it / in the end / and so will I") will speak to a wide audience.
Hazel RochmanCopyright © American Library Association. All rights reserved