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Editorial Reviews
Amazon.com
Syphilis, alcoholism, infidelity, and indeterminate parentage may seem improbable touchstones in the back story of one who didn't so much portray as embody the blithe Maria in The Sound of Music. But as this memoir of her formative years makes clear, there is more gravitas to Andrews than meets the eye. From her childhood in rural England and initial forays into British theater, to her first massive successes on Broadway and in the West End--notably as Eliza Doolittle in My Fair Lady--Home puts her celebrated career in context. While arguably offering more detail about the Andrews family than necessary, it nevertheless dishes wonderful anecdotes about legends and Andrews contemporaries like Noël Coward, Rex Harrison, Robert Goulet, Richard Burton, and Rodgers and Hammerstein, in prose as crisp and immaculate as the author herself. It also offers a revealing look into the intricate, exhaustive craft of performing--skills often taken for granted in tabloid times. Since the book ends just as Andrews is about to launch into the celluloid stratosphere, can Volume II be far behind? After Home, it would be most welcome. --Kim Hughes
From Publishers Weekly
Starred Review. Andrews, who has written several children's books (The Great American Mousical; Mandy), both solo and with her daughter, now dances in a different direction with this delightful remembrance of her own childhood and engrossing prelude to her cinematic career. Spanning events from her 1935 birth to the early 1960s, she covers her rise to fame and ends with Walt Disney casting her in Mary Poppins (1963). Setting the stage with a family tree backdrop, she balances the sad struggles of relatives and hard drinkers with mirthful family tales and youthful vocal lessons amid rationing and the London Blitz: My mother pulled back the blackout curtains and gasped—for there, snuggly settled in the concrete square of the courtyard, was the incendiary bomb. A BBC show led to a London musical at age 12: My song literally stopped the show. People rose to their feet and would not stop clapping. Her mother's revelation of her true father left her reeling when she was 15, but she continued touring, did weekly BBC broadcasts and was Broadway-bound by 1954 to do The Boyfriend. The heart of her book documents the rehearsals, tryouts and smash 1956 opening of My Fair Lady. Readers will rejoice, since Andrews is an accomplished writer who holds back nothing while adding a patina of poetry to the antics and anecdotes throughout this memoir of bittersweet backstage encounters and theatrical triumphs. (Apr. 1)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
See all Editorial Reviews
Syphilis, alcoholism, infidelity, and indeterminate parentage may seem improbable touchstones in the back story of one who didn't so much portray as embody the blithe Maria in The Sound of Music. But as this memoir of her formative years makes clear, there is more gravitas to Andrews than meets the eye. From her childhood in rural England and initial forays into British theater, to her first massive successes on Broadway and in the West End--notably as Eliza Doolittle in My Fair Lady--Home puts her celebrated career in context. While arguably offering more detail about the Andrews family than necessary, it nevertheless dishes wonderful anecdotes about legends and Andrews contemporaries like Noël Coward, Rex Harrison, Robert Goulet, Richard Burton, and Rodgers and Hammerstein, in prose as crisp and immaculate as the author herself. It also offers a revealing look into the intricate, exhaustive craft of performing--skills often taken for granted in tabloid times. Since the book ends just as Andrews is about to launch into the celluloid stratosphere, can Volume II be far behind? After Home, it would be most welcome. --Kim Hughes
From Publishers Weekly
Starred Review. Andrews, who has written several children's books (The Great American Mousical; Mandy), both solo and with her daughter, now dances in a different direction with this delightful remembrance of her own childhood and engrossing prelude to her cinematic career. Spanning events from her 1935 birth to the early 1960s, she covers her rise to fame and ends with Walt Disney casting her in Mary Poppins (1963). Setting the stage with a family tree backdrop, she balances the sad struggles of relatives and hard drinkers with mirthful family tales and youthful vocal lessons amid rationing and the London Blitz: My mother pulled back the blackout curtains and gasped—for there, snuggly settled in the concrete square of the courtyard, was the incendiary bomb. A BBC show led to a London musical at age 12: My song literally stopped the show. People rose to their feet and would not stop clapping. Her mother's revelation of her true father left her reeling when she was 15, but she continued touring, did weekly BBC broadcasts and was Broadway-bound by 1954 to do The Boyfriend. The heart of her book documents the rehearsals, tryouts and smash 1956 opening of My Fair Lady. Readers will rejoice, since Andrews is an accomplished writer who holds back nothing while adding a patina of poetry to the antics and anecdotes throughout this memoir of bittersweet backstage encounters and theatrical triumphs. (Apr. 1)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
See all Editorial Reviews
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