From Publishers Weekly
Editor of the evangelical Christian review Books & Culture, Wilson draws from his own pages, no surprise there, but also finds plenty of good stuff elsewhere. His choices tend toward the academic-"when art is liberated from subservience to extraneous purposes" writes theologian Nicholas Wolterstorff, and ethicist Amy Laura Hall speaks of "a thoroughly soteriological event" in an essay that was originally a university lecture. But Wilson also includes reflections on popular culture (a bright essay on the allegory within the Bill Murray comedy Groundhog Day) and poignant personal writing. "I went slightly crazy" is all Gideon Strauss ("My Africa Problem ... and Ours") writes as he describes the aftermath of his experience as an interpreter for the South African Truth and Reconciliation Commission. Calvinism doesn't invite a light touch, yet readers can appreciate Richard Mouw's plain-language teaching of cardinal points of Calvinist theology. Other updatings of Christian tradition are less successful; would Augustine really have wanted sinners to be called "perps"? The anthology can get earnest at times. Ex-Lutheran Richard John Neuhaus ponders with a convert's strictness "whether Catholicism will be Catholic." But Mark Noll's introduction sets the stage by suggesting criteria for good writing. The book is refreshing in its illustrations of how capacious a term "Christian" is.
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From Booklist
The 2003 Best Christian Writing was dated 2004, and now this one (none was published in 2004) is labeled 2006. But dates, shmates! It's a good edition, maybe the series' best. Andy Crouch on a conference for wannabe Christian fiction writers, Michael P. Foley on the movie
Groundhog Day, and Mark Galli's well-pointed interview with Eugene Peterson (whose contemporary American English New Testament,
The Message, is an enduring best-seller) all probe aspects of Christian living and working with compassion and discernment. The two pieces on Mel Gibson's
Passion of the Christ explore the Passion's different significances in different eras. Gideon Strauss on the fate of his fatherland, South Africa; Lauren F. Winner on learning Christian marriage while planning the wedding; and Virginia Stem Owens on her chastening experiences of visiting "old folks' homes" are all gripping and moving. The major think piece, "Is Art Salvific?" is philosophy at its most lucid. Oh, there is a clinker of a sermon and a turgid lecture here, too, but the rest validates the series title.
Ray OlsonCopyright © American Library Association. All rights reserved
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