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Editorial Reviews
Amazon.com
Thorn, a loner and gloomy sort of guy, is the hero of James W. Hall's thriller series. But in Buzz Cut, the real center of attention is Butler Jack, an erudite homicidal maniac with a brilliant and grandiose scheme. The plan is to hijack a $400 million cruise ship and hold its 2,000 passengers for ransom. Butler Jack has an obsession with etymology, and he is more than happy to lecture his hostages on the derivation of the word "hijack," which is descended from "Jack" which comes from the Middle English "Jakke," which meant "ordinary guy." Our Jack is an ordinary guy who just happens to have the mind of a genius and a passion for grisly killing. --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
A poet as well as a thriller writer, Hall (Gone Wild, etc.) brings an ear for language and an eye for the evocative detail, for the surge of meaning within sound and surface, to his latest?which features his customary hero, the moody, middle-aged Thorn. Reuniting with Thorn here is his old friend Sugarman (last seen in Mean High Tide). Bizarre family dysfunction and impending ecological disaster prove familiar but still effective Hall motifs as Sugar signs on as head of security for a billion-dollar Miami-based cruise ship line and Thorn encounters an unusually chilling adversary. Sugar's task is to catch a chimerical murderer whose victims all have some relationship to the company's gambling flagship, the M.S. Eclipse, from which the criminal has been stealing $50,000 per month. Danger promptly surfaces, as Sugar is nearly killed by the psychopathic Butler Jack, who has stun-gun electrodes attached to his fingertips and who plans to hold the Eclipse and its passengers hostage for a king's ransom. Jack also has designs on Monica Sampson, the long-missing daughter of the cruise line's owner, but Thorn, who winds up aboard the ship along with Sugar, casts eyes toward this young beauty as well. Murder, techno-wizardry and plenty of sexual tension ignite into spectacular action as Jack sets the ship on a collision course toward an oil-laden supertanker off Miami's South Beach. The title is right on; this thriller will slice readers' sleep into slivers.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
Thorn, a loner and gloomy sort of guy, is the hero of James W. Hall's thriller series. But in Buzz Cut, the real center of attention is Butler Jack, an erudite homicidal maniac with a brilliant and grandiose scheme. The plan is to hijack a $400 million cruise ship and hold its 2,000 passengers for ransom. Butler Jack has an obsession with etymology, and he is more than happy to lecture his hostages on the derivation of the word "hijack," which is descended from "Jack" which comes from the Middle English "Jakke," which meant "ordinary guy." Our Jack is an ordinary guy who just happens to have the mind of a genius and a passion for grisly killing. --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
A poet as well as a thriller writer, Hall (Gone Wild, etc.) brings an ear for language and an eye for the evocative detail, for the surge of meaning within sound and surface, to his latest?which features his customary hero, the moody, middle-aged Thorn. Reuniting with Thorn here is his old friend Sugarman (last seen in Mean High Tide). Bizarre family dysfunction and impending ecological disaster prove familiar but still effective Hall motifs as Sugar signs on as head of security for a billion-dollar Miami-based cruise ship line and Thorn encounters an unusually chilling adversary. Sugar's task is to catch a chimerical murderer whose victims all have some relationship to the company's gambling flagship, the M.S. Eclipse, from which the criminal has been stealing $50,000 per month. Danger promptly surfaces, as Sugar is nearly killed by the psychopathic Butler Jack, who has stun-gun electrodes attached to his fingertips and who plans to hold the Eclipse and its passengers hostage for a king's ransom. Jack also has designs on Monica Sampson, the long-missing daughter of the cruise line's owner, but Thorn, who winds up aboard the ship along with Sugar, casts eyes toward this young beauty as well. Murder, techno-wizardry and plenty of sexual tension ignite into spectacular action as Jack sets the ship on a collision course toward an oil-laden supertanker off Miami's South Beach. The title is right on; this thriller will slice readers' sleep into slivers.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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