Winnie the Pooh and Tigger Too VHS ~ Clint Howard  (10)
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Winnie the Pooh and a Day for Eeyore VHS ~ Ralph Wright (10)
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The Many Adventures of Winnie the Pooh (The Friendship Edition) DVD ~ Sebastian Cabot (96)
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Winnie the Pooh : Sharing and Caring VHS ~ Tracy Rowe (2)
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Editorial Reviews
Amazon.com essential video
Four Winnie the Pooh shorts are repackaged into one set: Winnie the Pooh and the Honey Tree (1966), the Oscar-winning Winnie the Pooh and the Blustery Day (1968), Winnie the Pooh and Tigger Too! (1974), and Winnie the Pooh and a Day For Eeyore (1983). The first three were strung together in 1997 as the popular film The Many Adventures of Winnie the Pooh. The merits of these adaptations of A.A. Milne's classic tales are up to debate, but the impact that these shorts--especially the first Two--had on kids and parents in America is not. Winnie (the Disney version, anyway) became an icon for millions of kids and parents. The vocal talent is exceptional, including Sterling Holloway's Pooh, Paul Winchell's Tigger, and Ralph Wright's Eeyore (Wright also penned the adaptations). The two later stories lost some of the voices and some of the magic, but Pooh fans will enjoy these tales, which had varying degrees of success but share the same distinctive pedigree. --Doug Thomas
Amazon.com
The homogenized Disney version of Pooh Bear is so firmly established by now that it has virtually supplanted the classic A.A. Milne/Ernest Shephard renditions of the Hundred Acre Wood characters, introduced in a series of British children's books first published in the 1920s. This initial installment won director Wolfgang Reitherman (The Jungle Book) a 1966 Oscar for Best Animated Short Film, and at the time the prize seemed a bad joke, a self-administered pat on the back for deflavorized commercial kid-culture. The Disneyfication of the planet has progressed to the point that this early, gentle, tuneful outing looks pretty benign, almost a beloved artifact in its own right. The sickly songs by Richard M. and Robert B. Sherman (Mary Poppins) qualify as camp classics. The inimitable growly tones of Sterling Holloway, as Pooh, are a definite asset, although the melancholy donkey Eeyore (voice by Ralph Wright, who also wrote the screenplay) is probably the most successful page-to-screen translation, lugubrious and droll at the same time. --David Chute
Four Winnie the Pooh shorts are repackaged into one set: Winnie the Pooh and the Honey Tree (1966), the Oscar-winning Winnie the Pooh and the Blustery Day (1968), Winnie the Pooh and Tigger Too! (1974), and Winnie the Pooh and a Day For Eeyore (1983). The first three were strung together in 1997 as the popular film The Many Adventures of Winnie the Pooh. The merits of these adaptations of A.A. Milne's classic tales are up to debate, but the impact that these shorts--especially the first Two--had on kids and parents in America is not. Winnie (the Disney version, anyway) became an icon for millions of kids and parents. The vocal talent is exceptional, including Sterling Holloway's Pooh, Paul Winchell's Tigger, and Ralph Wright's Eeyore (Wright also penned the adaptations). The two later stories lost some of the voices and some of the magic, but Pooh fans will enjoy these tales, which had varying degrees of success but share the same distinctive pedigree. --Doug Thomas
Amazon.com
The homogenized Disney version of Pooh Bear is so firmly established by now that it has virtually supplanted the classic A.A. Milne/Ernest Shephard renditions of the Hundred Acre Wood characters, introduced in a series of British children's books first published in the 1920s. This initial installment won director Wolfgang Reitherman (The Jungle Book) a 1966 Oscar for Best Animated Short Film, and at the time the prize seemed a bad joke, a self-administered pat on the back for deflavorized commercial kid-culture. The Disneyfication of the planet has progressed to the point that this early, gentle, tuneful outing looks pretty benign, almost a beloved artifact in its own right. The sickly songs by Richard M. and Robert B. Sherman (Mary Poppins) qualify as camp classics. The inimitable growly tones of Sterling Holloway, as Pooh, are a definite asset, although the melancholy donkey Eeyore (voice by Ralph Wright, who also wrote the screenplay) is probably the most successful page-to-screen translation, lugubrious and droll at the same time. --David Chute
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