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Editorial Reviews
Bloomsbury Review, July/August 1999
Until now . . . a definitive work on California impressionism did not exist. . . . [C]opious, thorough, interesting, and readable. The authors perform an admirable job of tracing the roots of California impressionism, relating it to the American impressionist movement and describing its distinguishing characteristics. . . . [A] lovely book. The kind one likes to savor slowly, as he or she would a fine California wine.
Baton Rouge Advocate, August 2, 1998
William Gerdts, professor of art history at the Graduate School of The City of New York and an authority on American Impressionism, has written a detailed, expansive essay tracing the concept, sources and development of the California Impressionist movement. . . . Will South writes a more narrative piece, a chronological account of the movement filled with professional and biographical tidbits to delight both researchers and casual readers. . . . a fine resource for students, researchers and collectors. . . . a focused examination of a specific art movement in a specific region-a good reference for students and researchers, and attractive for casual page-turners and fans of impressionism in general.
Until now . . . a definitive work on California impressionism did not exist. . . . [C]opious, thorough, interesting, and readable. The authors perform an admirable job of tracing the roots of California impressionism, relating it to the American impressionist movement and describing its distinguishing characteristics. . . . [A] lovely book. The kind one likes to savor slowly, as he or she would a fine California wine.
Baton Rouge Advocate, August 2, 1998
William Gerdts, professor of art history at the Graduate School of The City of New York and an authority on American Impressionism, has written a detailed, expansive essay tracing the concept, sources and development of the California Impressionist movement. . . . Will South writes a more narrative piece, a chronological account of the movement filled with professional and biographical tidbits to delight both researchers and casual readers. . . . a fine resource for students, researchers and collectors. . . . a focused examination of a specific art movement in a specific region-a good reference for students and researchers, and attractive for casual page-turners and fans of impressionism in general.
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