Most Helpful Customer Reviews
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16 of 16 people found the following review helpful:
3.0 out of 5 stars
Great photos, but not much else, June 25, 2003
The editorial reviews for "The Ballet Book" tout it as telling all about the fascinating world of ballet: "Readers will learn...how to stretch, stand, dance and perform like professional ballerinas", "...a thorough explanation of each step in a dancer's routine...". The reality, however, is a bit different. This is a gorgeously illustrated book with lots and lots of photos by dance photographer Nancy Ellison. We see the dancers of American Ballet Theatre in the studio, in performance, in costume, and even in some hilarious candid shots. But if you're looking for a book that explains the technical side of ballet in depth, you're going to be disappointed. The book touches on some of the basic elements of ballet such as plies and the positions of the body and shows the dancers demonstrating the finished result, but it doesn't explain how to get there; there is almost no discussion of turnout, placement, or anything of that nature. The book also offers extremely brief (think one paragraph) synopses of several famous and less-famous ballets like "Giselle", "La Fille Mal Gardee", "Apollo" and "The Leaves Are Fading" along with carefully posed studio photographs of dancers in the appropriate costumes. There's a brief section on choreography and, unusually, a short chapter on retirement in which recently retired ballerina Susan Jaffe discusses her farewell. All in all this is a lovely coffee-table book, but if you want a technical manual you should probably look elsewhere.
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8 of 8 people found the following review helpful:
4.0 out of 5 stars
A must for ABT fans, July 16, 2003
I agree with the other two reviews that you don't buy this book to learn the " secrets of dance ". However, if you're a fan of ABT, this is a must to own. Nancy Ellison always captures the dancers beautifully, be it in still or movements.Though her best portraits of ABT dancers was the ABT book published in 1995.( very hard to get now ).This book can be a nice reference to have autographs from you favorite dances because there are hundreds of excellent photos of all the current principles, soloists and corpes.The only drawback is that they have a very poorly presented Susan Jaffe farewell on a double page. That actually splits her face in half. I heard they will correct that in the second edition.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
Behind-the-Scenes and upfront at ABT, August 15, 2005
A comprehensive overview of the workings of a major ballet company,in this case American Ballet Theatre, with detailed insights from administrators, students, staff, and principal dancers. Not only are various levels of experience explored (from corps to principals) but also some of the training involved and differences between styles of performance: Virtuoso/bravura, Lyrical/Adagio, Allegro. In short, what makes a dancer great or a performance work. There are also explanations of rehearsal scheduling, tech/dress rehearsals, and why time is money too.
The section on the details of partnering--especially lifts and preventing mistakes in timing or perception--was interesting because this is an area not usually covered in simple manuals of positions. Also the sections on what aspects of technique matter--e.g. purity of line, consistancy of positioning--besides the pyrotechniques of 32 fouettes or soaring ballon may help others see it's not all tricks. And finally someone shows proper hands and says no to 'droopy wrists'!
There are a wealth of photographs: Both corps demonstrating positions and rehearsing; Irina Kolpakova, Kevin McKenzie, Kirk Peterson, Guillaum Graffin teaching; Lar Lubovich choreographing; and the principals in performance of the major repertoire. Enjoy the pictures of current and up-and-coming soloist/corps members--some of whom are now principals. There are also one or two photos of principals prepping in their dressing rooms and/or the wings. The contrast between the dancers and the backstage gaffer/fly/grip staff and big$-donors observing rehearsals is also amusing.
All in all, a lovely overview of ABT busy at work bringing insight and enjoyment to us fans, however knowledgeable we are--or not. A good purchase, especially for the details provided and knowing comments of the dancers and teacher/coaches.
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