Set against the backdrop of Flesher's (Lullaby Raft) dreamy pastels this touching picture book was inspired by Molnar-Fenton's own experience adopting a baby girl from China. An Mei, who was left by her mother "on the stone steps of the Wuhan orphanage" finds her way to a loving family in America. In prose filled with lovely images ("Ice drew pictures on the windowpanes, and snow wrapped a blanket around the branches of the bamboo tree"), Molnar-Fenton's inaugural children's book relates the story from the baby's point of view, thus tapping into readers' empathy and effectively communicating An Mei's fear and excitement. The story's delicate, tranquil mood is sustained by Flesher's graceful artwork, whose fluid lines and warm, feather-soft shadings plumb the story's emotional depths. Whether depicting An Mei cradled in her Chinese mother's arms, staying her first night in her new home or planting twin bamboo trees on her sixth birthday, the pastels?and the tale they reflect?clearly come from the heart. A strange and wondrous journey indeed. Ages 4-7. (Mar.) FYI: An afterword explains a bit about adoption in general and the process in China in particular.
Copyright 1998 Reed Business Information, Inc.
From School Library Journal
PreSchool-Grade 2?Speaking in the first person, a six-year-old Chinese-born girl tells the story of her adoption by European-American parents. She recalls her birth and her mother's last loving gesture, painting a red dot on her forehead as she leaves her baby on the steps of the Wuhan Orphanage. Lying in her crib there, An Mei meets her adoptive father, "a man with a bushy black beard and skin the color of an oyster shell." They fly across the wide ocean in a plane, and are greeted at the end of their journey by "a woman with eyes as round and gray as pearls." Fearful and distant at first, An Mei settles into her new home and at long last calls the man and woman "Daddy" and "Mommy." An afterword explains, clearly and sensitively, the "special circumstances" that cause Chinese parents to offer their daughters for adoption. The poetic language uses repeating metaphors drawn from nature to mark important milestones in An Mei's physical and emotional journey toward safety, love, and belonging. The deliberately naive paintings, impressionistic and richly colored, are suffused with affection for their subjects and form a perfect counterpoint to the lyrical text. Touching gently and lovingly on deep feelings of abandonment and belonging, this story makes a good offering for any young child, especially one who has made An Mei's wondrous journey.?Margaret A. Chang, North Adams State College, MA
Copyright 1998 Reed Business Information, Inc.
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