From Publishers Weekly
Orgel (The Princess and the God; Ariadne, Awake!) again offers an original approach to Greek mythology. In a meaty and extended introduction, she outlines her feminist perspective, pointing out the low status of girls and women in ancient Greece and then recalling her own thwarted girlhood appetite for goddess stories ("Too few! too short!"). She lets Athena, Aphrodite and Hera narrate their own life stories. Athena, goddess of wisdom, most clearly questions patriarchal notions; for example, just after she joins the company on Mount Olympus, she is puzzled to hear Zeus speak of Athens as "the foremost city of men" ("Won't women live there too, and children?" she asks). Aphrodite, goddess of love, delivers the least involving narrative; she seems more vain than erotic. By contrast, the section on the goddess of marriage, Hera, offers the most provocative spin. This Hera admits that "quite often" she is "jealous, angry, vengeful." But her account of her marriage to the faithless Zeus makes readers understand her bad behavior and appreciate her marital fidelity. Orgel pays close attention to the judgment of Paris (Paris's choice of Aphrodite as the fairest goddess led to the Trojan War, as Orgel shows). In an epilogue, the goddesses have resolved their differences and none wants to repeat the contest--perhaps an overly optimistic ending, but indicative of the volume's idealism. Heyer's (The Weaving of a Dream) illustrations are oddly conventional; their pretty representations, paradoxically, undercut the vigor of Orgel's bold interpretations. Ages 10-14. (Oct.)
Copyright 1999 Reed Business Information, Inc.
From School Library Journal
Grade 6-10-Athena, Aphrodite, and Hera tell their stories in this elaborate compilation. Orgel begins with a detailed introduction to gods and goddesses, women's lives in ancient Greece, and how and why she wrote the book. She also includes a double-page spread map of "Where the Stories Happen." Athena reveals her true mother's name and origins, and tells of her birth, her childhood, and her escapades. Next, Aphrodite relates her tale, full of lovers and affairs, including the story of the Golden Apple and how she, Athena, and Hera became rivals. Finally, Hera gives her account of her birth and subsequent swallowing by father Cronos; how she became Zeus's wife; her monstrous child, Typhaon; her hatred of Heracles; and the final reconciliation of the three goddesses. In an afterword, the author presents an original dialogue set on Mount Olympus featuring the reconciled goddesses who invite readers to participate. A sampling of "Olympians in Classical Art" includes six pages of reproductions with captions. Eight full-color watercolor-and-pencil illustrations, done in lush fantasy-style art, complement the stories. While the writing style is fluid, fresh, and easy to read, the subject matter is better suited for an older audience. Sidebars provide definitions and pronunciations. The stories show how women were treated in ancient Greece, offering a break from the traditional male view of mythology. Buy this for mythology buffs ready for a new point of view.
Angela J. Reynolds, West Slope Community Library, Portland, OR Copyright 1999 Reed Business Information, Inc.
See all Editorial Reviews