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10 of 10 people found the following review helpful:
4.0 out of 5 stars
It's Burke and Hare all over again!, November 14, 2002
After his success with the 1973 sci-fi thriller "Westworld" director Michael Crichton followed up with 1978's "Coma". In the earlier film he dazzled us with a fantastic futuristic vacation resort that turns against it's patrons. Here Crichton depicts the medical care system as a treacherous terrain where some patients may fall victim to odious conspiracy's. Most people quite naturally experience an overwhelming fear of being defenseless and vulnerable while at the mercy of a hospital staff when they are admitted for surgery. Crichton explores this tendency of ours to suffer anxiety and apprehension at this prospect without being exploitative. He carefully crafts a believable scenario and we soon become caught in the same tangled web as the lead character Dr. Susan Wheeler, played marvelously by Genevieve Bujold. Wheeler is a bright, strong willed, liberated woman who supports herself and can withstand a challenge from her current boyfriend Dr. Mark Bellows, well played by Michael Douglas. Crichton received both critical praise and public criticism for the movie's portrayal of such an emancipated heroine, a role which has fortunately become more standard in the years that have followed. When Wheeler's friend Mary is admitted to the hospital for an abortion Mary expresses her fears to Wheeler who assures her it is a routine operation and that she shouldn't feel a need to worry. Something does go wrong with the operation however and Mary falls into a coma, shortly afterward she dies. This event doesn't seem possible to Wheeler and out of curiousity she reviews Mary's medical records and notices inconsistencies and inquires about them. This sequence begins what will become a complicated and formidable investigation that she proves completely capable of following through on. Her defiance is so threatening that soon a predator is stalking her intending on silencing her permanently and she handles this situation resolutely, fighting against her fears and facing the enemy. Crichton presents coherent, edifying scenes of doctors, interns and nurses going about their daily duties that adds authenticity to the film. The anesthesia explanation is well written and necessary for our understanding of the plot. The Jefferson Institute complex is the film's great set piece. It stands isolated in a lush green valley looking sterile and impersonal, matching the cold treatment that Wheeler has been receiving from her male superiors who she has been reporting her findings to. The building also adds a striking Gothic horror feel to the movie; the sight of bodies suspended by wires from the ceiling is eerie, chilling and unforgettable. "Coma" also features splendid supporting peformances by many recognizable faces. Tom Selleck has a brief bit as a patient who is victimized; Ed Harris appears as a Pathology resident - with a headful of hair!; Rip Torn plays Dr. George, the hospital's Chief of Anesthesiology, who Wheeler suspects; Elizabeth Ashley is the autocratic and apparently soulless head of Jefferson Institute. But it's Richard Widmark who makes the strongest impression as the hospital's administrator, Dr. Harris. His final self-righteous discourse to Bujold, as she slowly succumbs to poisoning, is memorable - he brazenly explains away ethics as if they were a mere contrivance. It's at this point you realize that throughout the film he has been dispensing his diabolical medical elitism with all the ease and grace of a seasoned diplomat. Mysteriously, Crichton chooses to film a climax that has Wheeler falling into an all too familiar 'damsel in distress' situation where she needs to be rescued by a man. But the sight of her lying helpless on the operating table makes your heart pump with fear and anxiety, creating another of the film's most effective moments. Not one of us wants to be this completely helpless and vulnerable! "Coma" remains a top-notch medical thriller today despite it's lack of special effects that today's sophisticated audiences demand from this genre. Still, it remains largely unknown, enjoying a bit of cult movie status among the moviegoers who came of age in the 70's. One final note: People often mistakenly credit Crichton for writing the book upon which the film "Coma" is based. Actually Robin Cook is the book's author although I can see why people would easily make this incorrect distinction due to some similarities between them. They each have a medical degree and earlier in his career Crichton penned a handful of novels that had a medical setting and wrote the non-fiction book "Five Patients" as well.
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