Product Details

• Actors: Fred Williamson; Gloria Hendry; Art Lund; D'Urville Martin; Julius Harris
• Directors: Larry Cohen
• Format: Closed-captioned, Color, NTSC
• Language: English
• Rating: R (Restricted)
• Number of tapes: 1
• Studio: MGM (Video & DVD)
• VHS Release Date: January 9, 2001
• Run Time: 92 minutes
• Average Customer Review: 4.4 out of 5 stars See all reviews (24 customer reviews)
• ASIN: 0792841964
• Amazon.com Sales Rank: #19,169 in Video (See Bestsellers in Video)

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  #8 in	Video > Action & Adventure > Action Stars > Fred Williamson
  #10 in	Video > African American Cinema > MGM Soul Cinema
  #16 in	Video > Action & Adventure > Blaxploitation

Editorial Reviews

Amazon.com
Shot on the streets of New York, writer-director Larry Cohen captures the bustle and color of the city in this violent, low-budget crime film. Ambitious Tommy Gibbs (a swaggering, self-confident Fred Williamson) has risen from shoeshine boy to Harlem crime lord, but he wants a bigger piece of the pot. With a racist, high-ranking cop (Art Lund) in his pocket, he begins his expansion with a bloody takeover bid but finds himself betrayed from within and the target of both the cops and the mob. Cohen invests this fast-paced tale (partially inspired by the 1930 gangster classic Little Caesar with a touch of Scarface) with colorful characters (notably a hustling religious leader played by D'Urville Martin), high energy, and a scruffy style. Black Caesar is one of the most entertaining movies to come from the 1970s explosion of low-budget black cast genre pictures, more commonly known as "blaxploitation" films. --Sean Axmaker

Product Description
Fred Williamson is "imposing, tough and unflappable" (The New York Times) as a street kid who muscles his way into the big-time mob racket in this super-slick crime drama that became the smashhit of its genre and spawned a successful sequel (Hell Up In Harlem). Tommy Gibbs (Williamson) has always had it tough. Growing up on the streets without a father and trying to make his mother proud, Tommy resorts to running "errands" for The Man. But when a crooked cop beats him up, Tommy realizes there's a better way to live: by making The Man deliver for him! Infiltratingandthen destroyingthe infamous Cardoza family, Tommy takes over Manhattan as the first black Godfather and puts the squeeze on anyone who dares to get in his wayincluding the crooked cop! But as he tightens his grip on others, he loses his hold on the most important things in his own life, making him the vulnerable target of every cutthroat gangster who ever dreamt of ruling an empire!

Customer Reviews

Most Helpful Customer Reviews

14 of 14 people found the following review helpful:

5.0 out of 5 stars A tough, gritty blaxploitation classic not to be missed, June 4, 2005

By	Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

This review is from: Black Caesar (DVD)

Black Caesar (1973) is one heck of a good movie. I hate the term blaxploitation that is used to describe movies of this genre because it implies that these sorts of films are somehow second-class entries in the world of cinema. Black Caesar is a first-class ride from start to finish, taking as much from classic gangster films of the 1930s and 1940s as it does from earlier blaxploitation films such as Shaft. Larry Cohen gave us a tough, mean, dirty, gritty film that tells it and shows it like it is: plenty of cursing, gunplay, blood, profanity, nudity, and racism. I have heard that the starring role was originally written for Sammy Davis, Jr. Nobody loved Sammy more than I do, but there's just no way he could have done the things that Tommy Gibbs does effectively. A lot of people deride the acting skills of Fred Williamson, which makes no sense to me; the man is just fantastic in this film.

Tommy (Williamson) grew up on the streets of Harlem, where the living was hard. When a corrupt, racist cop smashed up his leg at a pay-off exchange gone wrong, young Tommy's future was set. Eight years in prison taught him everything he needed to know to pull off his master plan of becoming the man who runs Harlem. Just after he limps back into town, he scores a mafia hit in broad daylight and uses that audacious act to nose his way into the local Family. Back then, the Mafia didn't make a habit of embracing blacks, no matter how useful they could be. All Tommy asks for is a block in Harlem to call his own; he gets it, and a new reign of terror begins as Tommy and his associates begin cleaning house. At first, they talk about helping the blacks in the community at the same time, but this whole thing is really just about the money and the power. Ironically, Tommy finds himself working with the same slimy cop who broke his leg as a youth, but he's got the guy by the short hairs thanks to his acquisition of certain evidence against him.

As you might expect, a couple of blocks in Harlem is just the beginning for Tommy. He quickly expands his operation and puts the screws to the Italians running the show in New York. He becomes, for all intents and purposes, "the man" and gains control of all of Harlem. All the power and money can't make him happy, however; no one seems to appreciate the things Tommy can give them, especially his mother and his wife. As things start unraveling in his personal life, he is set up for a fall - and his Italian "friends" are ready and willing to take him down. The final half hour of the movie is nothing short of intense, as Tommy tries to deal with betrayal and simply stay alive. His final encounter with the racist cop who has tormented him for so many years makes cinematic history, as far as I'm concerned.

The music makes this fantastic film even better, as the Godfather of Soul, James Brown, supplies the funky soundtrack. Songs such as Down and Out in New York City and Mama's Dead sharply define pivotal moments and make sure the film always fires on all cylinders. It's hard to believe Black Caesar was filmed in only 18 days, especially given some of the elaborate chase scenes taking place on New York streets. This is a masterpiece of a low-budget film. Maybe a couple of the sociological aspects of the film don't play as effectively as they did back in 1973, but Black Caesar has really lost nothing of its raw power and intensity over the years.

13 of 13 people found the following review helpful:

5.0 out of 5 stars CITIZEN CANE OF THE BLAXPLOITATION GENRE, December 12, 1999

By	Eddie Landsberg "(just about) 10 years review... (Tokyo, Japan) - See all my reviews (TOP 500 REVIEWER)

SHAFT, SUPERFLY and THE MAC were considered the grand-daddies and MVPs of the Blaxploitation genre, however, I think HELL UP IN HARLEM was the one that really got the popular vote... (My fave actually is ACROSS 110th STREET and THREE THE HARD WAY then BLACK CEASAR and HELL) - - Hell up in Harlem was the Sequal to BLACK CEASAR, but it was much more fast paced. In fact, basically it was BLACK CEASAR without the plot. Its kinda... the post show payback time. BLACK CEASAR basically is HELL UP IN HARLEM with more plot and charactor depth.. Its a story about rising to the top from the bottom, how to play a person and change the tables, but the danger of letting success get to your head (o.k. in a blaxsploitationish way...) If that aint enough JAMES BROWN did the soundtrack - - I love Durville Martin in the role of his boyhood friend turned a phony preacher who eventually finds God - - at an inopportune time. This is a great watch, and the directing and acting are actually quite good. For a comedic take on this Genre... dont forget to watch IM GONNA GET YOU SUCKA ! (The shots of the gritty streets of NYC are incredible by the way... second only to Superfly and Cotton Comes to Harlem.)

10 of 11 people found the following review helpful:

5.0 out of 5 stars The quintessential "blaxploitation" film. . ., March 16, 2001

By	Tim O'Brien (Fitchburg, Ma) - See all my reviews

Those of us who know what it takes to make a powerful film know that you don't need a gargantuan budget and a big-name director. This stylish, gritty crime film from the 1970s "blaxploitation" library stars Fred Williamson as Tommy Gibbs, a tough, confident hood who works his way up the organized crime ladder in New York City. Director Larry Cohen perfectly blends elements from DePalma's "Scarface", 1930s gangster films, and the powerful, in-your-face violence is expertly complemented with the themes of loyalty, redemption, and greed (The scene in which Tommy's gang heads a bloody gun battle at a Mafia pool party was exceptionally well done). The performances were all convincing, especially D'urville Martin's over-the-top portrayal of Tommy's preacher friend. Combining raw, uncompromising violence, a complex morality tale, a dynamic soundtrack from the godfather of soul, James Brown, and believable performances, this film is a powerful journey into the realm of organized crime and its a shame that more people don't know about this movie. So for those of you who like big-budget, socially acceptable Hollywood garbage with action scenes almost completely lacking adrenaline, go see a James Cameron film. If you want an honest, uncompromising character study, definitely check out this underappreciated gangster flick. Don't miss a particularly entertaining scene in which Tommy gets knife happy on one of his victims in a barber shop, cutting off a certain appendage. This scene receives an indirect if perverse tribute in Tarantino's "Reservoir Dogs."