Most Helpful Customer Reviews
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26 of 31 people found the following review helpful:
5.0 out of 5 stars
Hands down, the best remake of all time..., February 26, 2000
By A Customer
Actually, I would argue that this is one of the greatest films ever made. Enough time has passed for us to get over the shock of McBride / Carson / Gere's desecration of that French classic (which was all about breaking taboos in the first place). Hopefully this re-release will bring this funny, passionate, beautiful film to a new generation of filmmakers and film buffs who heard somewhere that Tarantino actually prefers this version. He does, and he's right! Where the original was remote, cynical, and yes, pretentious (seen it lately?), this one is romantic, exciting, and intensely felt. It's a creative, complete reworking of the original material which manages to transpose the story from Paris to Los Angeles, substitute Eno and Glass and Jerry Lee Lewis for that anonymous cool jazz, replace Bogart with the Silver Surfer, etc. And it all works! It does all this without losing one iota of the dashing spirit that made the original so memorable, and yet like the few great remakes it's totally its own film. I'm telling you, folks, the McBride "Breathless" is the GREATEST!
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26 of 32 people found the following review helpful:
4.0 out of 5 stars
A great performance by Gere and an entertaining film., October 8, 2000
This film is a remake of Godard's "A Bout du Souffle" but that is more of a problem than a blessing for this film. Breathless is not good enough to cut it as a worthy US version of the original but, seen as a film it it's own right, it makes a lot more sense and it is entertaining to watch.Richard Gere plays Jesse Lujack, a small time criminal who just happens to kill a cop. He doesn't set out to do so, it just happens but this one act drags him into a trap which is, of course, of his own making. His flight from the police who are determined to nail the cop killer takes him back to student Monica Poiccard (Kapriski) an old girlfriend. To him, she was an important and significant part of his life but to her, he was just an interlude whom she never expected to see again but, in a kind of "what the heck" mood she takes up with him and his troubles. Gere really is doing a fine job here. The script favours him but nonetheless, he is totally convincing in this film He really is Lujack. However much he tries to prevent it, the ending is pretty much inevitable but on the way Gere and Kapriski have some laughs. They live for the moment and, essentially they do enjoy the moments despite the bigger picture and that is what this film is all about. It's good to watch and enjoy. It is not a polarising moment in cinema history but, if you can forget the film's origins and hope only for an entertaining movie, it will not let you down. If you like this film, I'd recommend "The Passenger" with Jack Nicholson and Maria Schneider. It shares the same theme of a woman taking up with a man in big trouble and it is a much better movie although it is a serious film and does not have the laughs of Breathless.
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10 of 11 people found the following review helpful:
4.0 out of 5 stars
A decadent, guilty pleasure., November 25, 2002
This seems to be a movie people either absolutely love or absolutely hate. I lean toward the former camp. I would have given five stars, but the soft-porn proclivities of this film -- and Richard Gere's annoying character (who does have redeeming qualities) -- were reasons for the deduction.Any good girl who's ever been in love with Mr. Wrong (myself included!) will hold an appreciation for this movie. The central characters, Monica Poiccard (Kaprisky) and Jesse Lujack (Gere) are perfect in their diametric opposition to each other. Monica is an honors Architecture student at UCLA with a bright future ahead of her; Jesse is a small-time, smart-alec hood whose big ambition in life is to emulate his hero, the comic-book character Silver Surfer. While speeding through the desert, he is pulled over by and accidentally shoots and kills a cop. Needing a place to hide, Jesse pops back into Monica's life. He was merely a fling she'd had while on vacation in Las Vegas, but she was something much more to him. Jesse's lifestyle revolts and excites Monica at the same time, which is why she takes up with him as he drags her along with him on a high-energy run from the law. I consider this film to be one of my guilty pleasures. Despite its aforementioned drawbacks, it possesses a lush decadence that's quite entertaining. I recommend it to anyone who wants to indulge!
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