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Leon Theremin was the secret link between sci-fi films, the Beach Boys, and Carnegie Hall. His self-named electronic musical instrument--the first of its kind--took the world by storm in the 1920s and '30s.
Theremin: An Electronic Odyssey, winner of Sundance's Filmmakers Trophy, explores the inventor's strange life and times, including his mysterious 50-year disappearance beginning in the 1940s. Interviews with theremin virtuoso Clara Rockmore, synthesizer pioneer Robert Moog, and Theremin's contemporaries, as well as clips from movies such as
The Day the Earth Stood Still, featuring the unworldly sounds of his creation, show an eccentric genius working toward success until his sudden vanishing in the Soviet Union. Footage of Theremin at 94 years old, finally rediscovered and rewarded for his achievements, brings a celebratory ending to what could be a grim or at least uncertain story, but instead is a fascinating documentary.
--Rob Lightner
From The New Yorker
Steven M. Martin's documentary, about the inventor of the first electronic musical instrument, is a strange and moving piece of work. Professor Theremin's creation (played by hand movements in the air surrounding it) was put to popular use in the soundtracks of science-fiction films of the fifties; it also shows up on "Good Vibrations," the Beach Boys hit. The professor's life was full of mystery and intrigue, and the filmmakers unearth some bizarre turns of events. Much of the movie belongs to his protégée, Clara Rockmore, a theremin virtuoso; her recollections give the film its emotional weight, while theremin music enhances its spooky, somewhat hypnotic feel. -Bruce Diones
Copyright © 2006
The New Yorker