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10 of 12 people found the following review helpful:
5.0 out of 5 stars
Postmodernity arrives..., February 8, 2004
The Fortress Press Guides to Biblical Scholarship is a series of short, to-the-point texts dealing with particular questions in the current biblical academic field. There is an Old Testament and New Testament series; the New Testament series largely consists of texts that ask questions about particular types of criticism - narrative criticism, redaction criticism, social-scientific criticism, and so forth. There are many different hermeneutic and exegetical approaches to biblical scholarship, and these guides help to clarify the key points about these methods. The text under consideration, `What is Postmodern Biblical Criticism?' by AKM Adam (at the time of writing on faculty at Princeton, now on faculty at Seabury-Western) is an important approach, albeit one that is often overlooked in the basic biblical studies courses at some seminaries (there are, after all, more approaches than weeks in a term, in some cases!). Thus, this book served in many ways an introduction to the postmodern biblical critical approach, but in other ways, it covered ideas already known to me. Adam states in the early portion of the text that whatever definitions he applies to the term `postmodern', there will be some (perhaps many) who disagree. Postmodernity is not just one thing - indeed, it really isn't a `thing' at all. It largely depends upon the definition of modernity, which Adam takes to mean the inheritance of intellectual methods from the Renaissance and Enlightenment periods through nineteenth century scholarship up to the difficult period of the twentieth century. Ideas of progress, greater rationality and understandability of the world, more individualistic modes and a deliberate distancing from `ancients' (some of whom might not be so `ancient'). Adam quotes Cornel West in describing (rather than defining) postmodern as being `antifoundational, antitotalising, and demystifying.' No one paradigm is privileged as a universal or automatically correct one. No one system can explain everything perfectly in every detail - while Adam doesn't reference it directly, the Godel Incompleteness Theorem comes to mind here. Postmodern thought seeks to shake the ideas of absolute and self-evident truths (the opening lines of the Declaration of Independence of the United States could never be formulated in a postmodern framework). Adam takes a brief tour of some of the postmodern literary criticism thinkers (Foucault, Derrida) looking at the critique of foundation and totality, as well as examining Barthes idea of the `death of the author' and Lyotard's concept of `incredulity toward metanarrative'. If this sounds obscure and difficult, you would be right - it is difficult to dispense with the intellectual inheritance of the West without losing even the very language and conceptual framework with which to discuss such a loss. Adam's chapter on Deconstruction is, as one would expect, essentially Jacques Derrida (with a `practical' application toward the biblical text). Deconstruction is, deconstruction happens - however one phrases it, it is the taking apart and analysing not only the structure (as would a chemist or nuclear physicist) but also the methods both of initial construction and the deconstruction. Deconstruction a la Derrida is a tool that goes beyond simple exegesis (which is often a special case of deconstruction) to look not only at the biblical texts parsed and pieced but also the language underpinning (both original and translation), the societal context, the hidden subtexts, and even the idea of what we are `supposed' to be getting out of the text. One disappointment here is that some of Derrida's other concepts (the gift, the poematic, the monster) which could have yielded benefits for biblical scholarship were not included. If Derrida was the star of the Deconstruction chapter, Foucault is the star of the Political Criticism chapter. Adam goes further than Foucault to look at New Historicist, non-Foucault Marxist and well as independently developed Feminist critiques of the text. There is a bit of a problem with this chapter in that none of these approaches (perhaps with the exception of the Feminist approach) are fleshed out adequately, and without a firm understanding of the intellectual product of Foucault, Marxist interpretation, etc., the reader might be lost. Adam's last primary chapter reexamines the idea of the antitotality impulse in postmodernity, looking at different ways of drawing together interpretative methods without regard for the `integrity' of such methods or the `appropriateness' of such integration, always realising that none of these will ever produce a `truth' whole and entire. This is perhaps the piece of postmodernity that makes fundamentalists and liberals uneasy with the postmodern enterprise, and what makes it a risky venture. Adam likens this to `lighting a strange fire' - the risk is in producing something shocking and unacceptable. Adam identifies interestingly (and correctly) that while the Ancients were not postmodern (either chronologically or intellectually), they were not `modern' either, and some of postmodernity strives to recapture elements from the past that are evident in things such as passion plays and mystery plays, midrashic extensions on scripture, etc. Adam might have brought in Heidegger's discussion of the problems of modern art and literature here (although it is little known, it is primary to many postmodern literary critics). This is not a text for the timid. It is tough reading in many parts, and assumes a familiarity with philosophical, theological, and biblical knowledge, as well as an ability toward subtle critical analysis that is rare today.
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