Down the Highway: The Life of Bob Dylan (Hardcover)

by Howard Sounes (Author)

Editorial Reviews

From Publishers Weekly
Dylan was a pampered Midwestern teen who listened to African-American music on the radio. His father bought him a pink convertible and a Harley in the same year; his high school band appeared on television sporting mom-made cardigans emblazoned with the band name "Jokers." He dropped out of his first year of college to explore the Greenwich Village folk scene and meet his hero, Woody Guthrie, into whose hospital room young Dylan barged. "[H]e instinctively played upon his baby-faced unworldly looks, and his considerable personal charm, to make friends [who] would help him... giving him a place to stay or offering him a few dollars," attests Sounes (Charles Bukowski: Locked in the Arms of a Crazy Life) in this exhaustive, up-to-date biography. Though the writing is uneven, Sounes delivers a judicious portrait of Dylan's foibles and virtues. Dylan, he claims, used people variously he mimicked his favorite performers and enjoyed of "the charity of kindhearted women." Much of the book traces his womanizing, from his relationship with Joan Baez to his eight years of marital bliss (before it unraveled) with Sara Lownds. Even his religious conversion was on account of the affections of his back-up singers, one of whom he had a child with and married, a little-known fact. Dylan has burned numerous bridges in his life, though many people remain loyal. Through extensive interviews Sounes aptly captures the contradictory facets of an American folk legend. (Apr.)Forecast: The 125,000-copy printing, bolstered by a $150,000 promotional budget, will sell well among Dylan's myriad fans, who will be celebrating his 60th birthday this year.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Sounes's Down the Highway challenges Clinton Heylin's revised edition of Bob Dylan: Behind the Shades (LJ 10/1/00) for the coveted status of "definitive Dylan biography." British journalist Sounes (Charles Bukowski: Locked in the Arms of a Crazy Life, LJ 3/1/99) was particularly successful in persuading a number of previously tight-lipped friends, lovers, and associates to speak candidly about the reticent star. As a result, the reader is treated to the most detailed account yet of Dylan's 1966 motorcycle accident and subsequent withdrawal from the public eye. Sounes also peels away layers of mystery surrounding Dylan's complex romantic life and surprisingly conventional approach to fatherhood. More so than Heylin, Sounes succeeds in portraying Dylan's human side; Heylin, on the other hand, offers far more insightful analysis of Dylan's work. Sounes, too, loses momentum as he goes, with the last couple of chapters seeming slight and poorly realized. Overall, Hey-lin's work is superior, but the two books together provide as complete a portrait of the enigmatic pop icon as there has ever been. [Heylin's Bob Dylan was originally slated for publication last October, but it is only being released this spring.AEd.]ALloyd Jansen, Stockton-San Joaquin Cty. P.L., C.
-ALloyd Jansen, Stockton-San Joaquin Cty. P.L., CA
Copyright 2001 Reed Business Information, Inc.

See all Editorial Reviews

Product Details

• Hardcover: 527 pages
• Publisher: Grove Press; First Edition edition (April 9, 2001)
• Language: English
• ISBN-10: 0802116868
• ISBN-13: 978-0802116864
• Product Dimensions: 9.5 x 6.3 x 1.3 inches
• Shipping Weight: 2 pounds
• Average Customer Review: 3.4 out of 5 stars See all reviews (56 customer reviews)
• Amazon.com Sales Rank: #495,101 in Books (See Bestsellers in Books)

  Popular in this category: (What's this?)

  #49 in

  Books > Biographies & Memoirs > People, A-Z > ( D ) > Dylan, Bob

Customer Reviews

Most Helpful Customer Reviews

21 of 21 people found the following review helpful:

4.0 out of 5 stars Portrait of an Impossible Subject, October 24, 2001

By	Mark Edward Bachmann (Westport, CT USA) - See all my reviews (REAL NAME)

I'm 53 years old with three kids, a job, and a life-long obsession with Bob Dylan that isn't going away. To this day, his best songs make the hairs on the back of my neck stand up. But who is this guy? And where does such extraordinary music come from? Perhaps recognizing that there are never really answers to questions like these, Howard Sounes largely sidesteps them in this excellent new biography, which doesn't pretend to reveal very much about Dylan's mind or the creative wellspring for his work. What the book does succeed at giving us is a thoroughly professional, well-researched and clearly written account of the man's life. Characteristically, Dylan refused to be interviewed, as did, apparently, his immediate family members. However, Mr. Sounes obtained a wealth of material from an array of other people, including childhood and adult friends, lovers, band members, business associates, observers, hangers-on, and the many famous and non-so-famous musicians and singers who have known and worked with Dylan over the course of four decades. Sounes even took in perspectives from individuals referenced in Dylan's songs, like William Zantzinger - the real-life and still-living villain from The Lonesome Death of Hattie Carroll - and Carla Rotolo, the stigmatized "parasite sister" from Ballad in Plain D. Because he's made a career of fleeing the constraints of identity, Dylan is a resistant subject for biography. Born into a nurturing middle-class Jewish family in small-town Minnesota, Dylan (then Bob Zimmerman), came of age and, following a short time at college, took to the road, and to disguise his embarrassingly conventional roots, invented outlandish myths about himself as a singing orphan hobo. Personally shy, but far less innocent than he appeared, he in fact had an overpowering ambition and confidence in his talent. Heading straight for New York City - the right place at the right time - he quickly "made it" as the angst-ridden folk and social-protest singer we know from his early recordings. He had no sooner achieved fame in this persona than he shed it like a snakeskin, reinventing himself as the seemingly nihilistic rock-and-roll poet who was to help establish the foundation for the emerging 60's counter-culture. However, this too was largely an act, and by the time the world was catching up with him, he had moved on again. At the very peak of the late 1960's cultural revolution in America, when rebellious post-adolescents were reaching out to him as a kind of Messiah, Dylan turned his back again and went conventional, retreating to a reclusive, short-haired, family-oriented lifestyle with his wife Sara and the beginnings of a family that would eventually include five remarkably well-cared-for children. Sounes suggests that this was the least contrived period of Dylan's life and the happiest. However, it wasn't to endure either, and his loving, private relationship with Sara finally broke down in bitterness and divorce. Just as the 60's lost steam and the hippies were cutting their hair and getting jobs, Dylan - forever out of cycle - resumed his scruffy, intense, hip-hillbilly style and hit the road again. His conversion to a kind of fundamentalist Christianity in the late 1970's was the most startling of his metamorphoses, and one which befuddled fans will look to this book in vain for Sounes to shed much light on. The author doesn't disparage it, but doesn't appear to get it either, any more than the fans did. Moreover, he seems to lose touch with his subject to some degree from this point on in the book. But then one gets the sense that Dylan was losing touch with himself too, putting out a series of lackluster albums and abandoning himself to endless and apparently aimless roadtouring and womanizing, not really renouncing his religion so much as back-burning it because it was hurting his career. The biography tries to end on a high note by discussing Time Out of Mind, Dylan's latest release at the time of publication. Receiving critical aclaim, the album indeed displays revived sparks of his old genius, but anyone who has experienced the stark, death-haunted tone that pervades it can't be very cheered by this paradoxical show of vitality. One feels that Sounes is whistling beside the graveyard at the end of his book. I for one believe that the hype that has surrounded Dylan for most his career is justified, and that he will probably be remembered as one of the great artists of the late-twentieth century, whether his work cheers us up or not at this stage of life. While Sounes' book fails to reveal his elusive subject, it is by far the best biographical material about Bob Dylan that has appeared to date, and I recommend it.

23 of 25 people found the following review helpful:

5.0 out of 5 stars Enough Bob Already ,,,,,, OK, One More, April 1, 2001

By A Customer

Exactly when and where did Bob first drop ...? What did Bob think of Sgt. Pepper when he first heard it? What did Jerry Lee Lewis say to Bob when Bob tried to record a track with him? What was Bob's reaction to John Lennon's murder? When & where did Bob marry his 2nd wife, after she bore him his 6th kid? Did Bob really try to join the Dead as a full-time member after being depressed about his career? Is the cost of Bob's second divorce in the early 90s the real reason for the Never-Ending-Tour? What was the main criteria for the flea-bag motels Bob stayed in during the Never-Ending-Tour? Much, much more in this great new book out by Howard Sounes, who apparently spent years getting people to talk. Sure, if you're a Dylan freak (the kind that used to break into his house in Woodstock in the late 60s... you've read it all before. But this book should appeal to everyone, and I guarantee there are things in here you've never heard before. And it's current through the end of 2000, including the death & funeral of Bob's mother. Check it out.

14 of 14 people found the following review helpful:

4.0 out of 5 stars Finally, a Grown-up Biography of Dylan, April 12, 2001

By	Mark K. Mcdonough "Mark McDonough" (Reston, VA USA) - See all my reviews (REAL NAME)

This one is definitely worth buying for anyone with a serious interest in Dylan's life and music. Sounes is clearly an admirer of Dylan's art, but as other reviewers have noted, not an obsessed Dylanologist. I have read all of the Dylan bios, and this one is far and away the best for those who want to know the man and his music, but aren't obsessed with picking apart every line of his songs (or his garbage).

Sounes talked to everyone who would talk (and he must either be the world's nicest guy or the most persistent, because almost everyone talked except Dylan himself and his former wife Sara). He also used documentary evidence to pin down things like marriages, real estate transactions, etc. The portrait of Dylan that emerges is less shrouded in mystery, but no less amazing. We get very clear-headed assessments of controversies like the motorcycle accident and also a good deal of info about how Dylan's music was recorded. Sounes also does a good job of placing the various characters in Dylan's life in perspective, from the members of the Band to the Beat poets to his NYC cronies from the folk scene.

Very nicely done, all of it. I wondered how Sounes would handle Dylan's later years, which have consisted of comebacks and long fallow periods. Basically, he handles it like a real biographer -- he tells the whole tale, up to now. The portrait of Dylan that emerges is not unlike that of many other fanatically driven artists -- eccentric, sometimes quite nasty to friends, family and fellow musicians, but above all dedicated to his art.