A Quiet Life (Oe, Kenzaburo) (Paperback)

~ (Author), Kunioki Yanagishita (Translator), William Wetherall (Translator) "This all happened the year Father was invited to be a writer-in-residence at a university in California, and circumstances required that Mother accompany him..." (more)
Key Phrases: Marvels of the Forest, Miss Suzaki, Eastern European (more...)

Editorial Reviews

Amazon.com Review

Nobel laureate Kenzaburo Oe has produced a quirky, introspective novel that uses autobiographical elements to tell the story of a writer's family and his rediscovery of his place therein. Written in the form of a diary, the story is told from the point of view of Ma-Chan, the daughter of a famous writer (identified only as "K") who has decamped to California as a university writer-in-residence. Ma-Chan is left in charge of her equally famous brother, an idiot savant who composes brilliant classical music. The mentally retarded brother, nicknamed Eeyore, has violent fits, periods of incontinence, and a troubling new sexual awareness. Like Faulkner's Benjy Compson, he is the moral center of the book, a touchstone and a catalyst for the muted events that carry the novel to its unpredictable close. Full of digressions on the cinema, modernist music, and the novels of Louis-Ferdinand Celine, Oe's latest novel is a stylized, idiosyncratic confessional that only he could fashion. --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Like Oe, who won the Nobel Prize for Literature in 1994, K-Chan, the character at the heart of this novel, is an internationally renowned Japanese novelist. His story pits the quest for individual identity against the measure of selflessness necessary for healthy family life. Wisecracking and often emotionally insensitive, K-Chan suffers a spiritual breakdown that impels him to leave his young adult children in Japan while he and his wife take up residence at a college in California-and where, in peace, he might answer the daunting question: "how is a faithless person to cope with life?" Thus, it is up to his 20-year-old daughter, the narrator Ma-Chan, who describes herself as a "withdrawn coward," to care for her older, mentally handicapped but musically brilliant brother, nicknamed Eeyore, and her younger, independent and intelligent brother, O-Chan. The narrative traces the quotidian challenges Ma-Chan faces, shuttling Eeyore to and from work at a vocational welfare center and attending to his epileptic seizures. Meanwhile, supporting characters, all friends or family of K-Chan, wonder aloud to Ma-Chan about her father's abandonment of his children, and discuss with her episodes from his past that might have led to his nervous breakdown. Unfortunately, Oe employs stilted dialogue (made worse, no doubt, by a lifeless translation) between characters on topics that include Tarkovsky's film Stalker and a novel by Aitmatov about the Crucifixion. These discussions are clumsy and lack the grace and whimsy apparent in other novels of ideas by writers like Milan Kundera (whom a character named Mr. Shigeto is said to translate). A dramatic climax in which Ma-Chan is nearly raped by Eeyore's swimming teacher lacks credibility. Eventually, the family-minus K-Chan-is reunited in a conclusion that, like the novel, makes more of a dry conceptual impact than an emotional one.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 256 pages
• Publisher: Grove Press; 1st Pbk. Ed edition (December 8, 1997)
• Language: English
• ISBN-10: 0802135463
• ISBN-13: 978-0802135469
• Product Dimensions: 8.2 x 5.5 x 0.7 inches
• Shipping Weight: 11.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (11 customer reviews)
• Amazon.com Sales Rank: #316,507 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

6 of 6 people found the following review helpful:

5.0 out of 5 stars A beautiful book, February 22, 2000

By	"[e-mail]" (London, England) - See all my reviews

The book has a slow start and proceeds at a similar pace for most of its length. As the title suggests the lives of the two principal characters are quiet and have little impact on the world beyond their family. One of the six chapters is devoted to an analysis of a Russian art house movie. A French novelist with fascist leanings is discussed at similar length - and in sympathetic terms!

This description might sound dull, but for readers not put off by the paragraph above, this is a great novel, a stroll through the mind of one of the best novelists of the latter half of the twentieth century. The self-effacing narrator Ma-Chan and her handicapped musician brother Eeeyore are the main focus for the book's little dramas, but we learn as much, perhaps more, about the absent father (presumably a thinly disguised portrait of the Oe) - and many readers may feel that he is the principal character, albeit one who is observed from afar.

The meditations on Celine and Tarkovsky do not slow the book down: they are intriguing and drove me straight to the nearest bookshop selling the neglected French writer. The diversions to the family's home village; Ma-Chan's introspection and Eeeyore's piano lessons at the home of the Shigetos are all beautifully rendered by Oe. There are echoes of Shusaku Endo's novels and the gentle poetic films of Ozu. The villian is too crudely sketched, but this one of the few weaknesses in a great novel.

5 of 6 people found the following review helpful:

3.0 out of 5 stars Intellectually Interesting Introspection from A Nobel Winner, August 31, 2001

By A Customer

"A Quiet Life" is the first person narrative of Ma-chan, a twenty-year-old university student and the daughter of a famous Japanese author. When her father accepts a visiting professorship at the University of California, and her mother decides to accompany him abroad, Ma-chan is left at home in Japan to care for her older, brain-damaged brother Eeyore (like the character in "Winnie-the-Pooh") and her younger brother, Oh-chan, who is studying for his university entrance exams.

"A Quiet Life" is a slow-moving story with little action and a deeply realistic, human touch. Like much of Oe's writing, "A Quiet Life" is a fictional work that is powerfully marked by a real-life event--the birth of Oe's brain-damaged son in the mid-1960s. Thus, Ma-chan, the narrator, grapples throughout the narrative with her feelings about Eeyore, as well as her feelings about her intellectual and emotionally distant father.

Much of the novel is devoted to exploring Ma-chan's thoughts and feelings as she follows a mundane, day-to-day existence shepherding Eeyore to music lessons with Mr. Shegito, a professor and friend of her father, and to swimming lessons with Mr. Akai, a somewhat cold and sinister character of questionable motives. Along the way, Ma-chan continually realizes that Eeyore is, in many ways, a remarkably sensitive and gifted human being, despite his disability.

Oe's narrative is enigmatic and subtle in its suggestiveness. Oe, through the voice of his narrator, makes much of words that Ma-chan repeats in her narrative, words that are italicized in the text and linger in the reader's mind like ontological talismans. The text, too, reflects the intellectual groundings of Ma-chan's distant father-seemingly the author Oe himself-when it delves into extended discussions of Tarkovsky's film, "Stalker" (based on the classic, if somewhat obscure science fiction novel, "Roadside Picnic" written by the Strugatsky brothers), and the writings of Celine, notably "Rigadoon" (in a somewhat disturbingly sympathetic literary riff on a notorious, albeit fascinating, anti-semite).

While I am familiar with Oe's biography, this is the first novel I have read by him. He is an interesting and intellectually impressive writer who perhaps deserved the 1994 Nobel Prize for Literature. I know I will read more of his work. However, as Ma-chan's mother comments when Ma-chan tells her of the title of the diary she has kept: "'Diary as Home' sounds bland and dull." She then elicits a different title from Eeyore, who suggests: "How about `A Quiet Life'? That's what our life's all about." It is, indeed, the narrative of a quiet life, but Eeyore's title unfortunately does not save Oe's book from being bland and dull. While "A Quiet Life" is redeemed by the sensitivity, the enigmatic feeling and the profound intellect of its author, the story ultimately falters on a sometimes mind-numbing banality and what seems to be a stilted English translation. Thus, while I enjoyed reading "A Quite Life," I often had difficulty maintaining my interest in Oe's narrative.

2 of 2 people found the following review helpful:

5.0 out of 5 stars A writer's view of himself through the eye's of his children, December 4, 1996

By A Customer

This review is from: A Quiet Life (Hardcover)

Oe's most recent, and purportedly final, novel is a profoundly honest look at himself, as he imagines he seems to his daughter, his mentally handicapped son, others in his family, and his friends. The bravery of the writing makes one yearn for such honesty on the part of other writers. Here is someone who does not pretend to be wise, or to tell us how to live properly, but who is unflinching in his assessment of his own weaknesses and their unintended impact on those he holds most dear.