Magnum: Fifty Years at the Front Line of History: The Story of the Legendary Photo Agency (Paperback)

~ (Author) "PHOTOGRAPHERS LIKE to joke that becoming a member of Magnum is tantamount, in the rigour of the initiation, to joining a religious order..." (more)
Key Phrases: photo journalism, photo journalist, war photographer, New York, George Rodger, John Morris (more...)

Editorial Reviews

Amazon.com Review

"If your pictures aren't good enough, you're not close enough," said Robert Capa, the legendary photojournalist who, with Henri Cartier-Bresson and other documentary shooters, founded the Magnum press agency in 1947. Capa got close to the action, of course; he died under fire in Indo-China in 1954, seeking the perfect image of war. Other Magnum photographers died in places like Afghanistan, Israel, and Chechnya, always at the forefront of battle and strife, always with an eye on capturing history as it unfolded. In this well-written study of their work, British journalist Russell Miller shows how their images have changed the ways in which we respond to war, politics, and crises. --Gregory McNamee --This text refers to an out of print or unavailable edition of this title.

From Booklist

Miller's history of the famous cooperative photo agency Magnum is unauthorized--no surprise, that, for one thing to count on in Magnum is disagreement. After all, "there has only ever been one rule guiding Magnum," says Magnum member Sebastian Salgado, "and that is the rule of anarchy--it is because of this anarchy we have been able to do so many things." Despite that lack of approval, Miller was able to base his lively and fascinating account on lengthy interviews with all current members except Bruce Davidson and Gilles Peress, and it all seems quite credible--at times, credibly incredible. Magnum's role in photojournalism can't be overemphasized, for the quality of the work done and for Magnum's historic role in keeping copyrights for its photographers. Not that the members' business savvy is underemphasized: despite its fame, the agency has been in almost perpetual financial crisis. It stumbles on, part dysfunctional family, part brilliant brotherhood of talent. Miller affords a rich feast of personalities, adventure, world conflicts, and the issues of journalistic ethics. Gretchen Garner --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Paperback: 336 pages
• Publisher: Grove Press; 1st Grove Press Pbk. Ed edition (October 1999)
• Language: English
• ISBN-10: 0802136532
• ISBN-13: 978-0802136534
• Product Dimensions: 8.9 x 5.9 x 0.9 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (7 customer reviews)
• Amazon.com Sales Rank: #378,966 in Books (See Bestsellers in Books)

  Popular in this category: (What's this?)

  #81 in

  Books > Arts & Photography > Photography > Criticism & Essays

Customer Reviews

Most Helpful Customer Reviews

12 of 13 people found the following review helpful:

5.0 out of 5 stars Heroes, made real and understandable, December 27, 2000

By	Adam Rust "a_rust" (Durham, NC) - See all my reviews (REAL NAME)

Russell Miller outlines the history of the world's greatest photo agency from its founding shortly after World War II until its advancement into the 90's. He includes personal stories about many of the photographers. The book also charts a course between many of the conflicting visions held by the members for the purpose of the agency. As you read the book, you have to remind yourself that Magnum is a "cooperative," because rarely do the members show this spirit. At its start, Cartier-Bresson wanted pictures with artistic vision. Capa wanted hard core reportage. In later years, Martin Parr's overtly critical portrayals of his subjects tested the agency's humanistic mission. All along, the great photographers prove to be fantastically poor businessmen. Russell Miller's history of does a lot to humanize some of the gods of photojournalism. As someone who has spent several years in graduate school, I enjoyed hearing that not all of these people were perfect. It is genuinely funny to learn that Eugene Smith's seven year Pittsburgh project was actually only intended to be a two week assignment. What beginning photographer hasn't made the same kind of mistake, deciding that a story was worthy of far greater time than budgeted for by your teacher or editor? Miller's account of Smith probably goes so far as to provide a cautionary tale to aspiring photographers about the need to draw boundaries to your work life. This book would be a good addition to a college photography course. It covers its subject expansively, but it tells the story in a chronological narrative that keeps the reader turning pages quickly.

10 of 12 people found the following review helpful:

4.0 out of 5 stars An honest, well detailed depiction of the agency, August 3, 1998

By A Customer

This review is from: Magnum: Fifty Years at the Front Line of History (Hardcover)

Given that I had worked at Magnum as well as for several of the members, I thought that the Miller's book fairly depcited the personalities and management of the agency. Alas the book does not delve into why the new members have difficulty in living off as an associate member, or even tries to look into these problems. The history of photography and the timing of Magnum's incorporation came together fortuitously during the acme of the profession. The days of magazines such as Look, Life, and the commercial business of still photography have disappeared with the advent of color TV and Internet. Maybe they should have looked into Web pages. This is not to belittle their brilliant work in the past (I still consider my days at Magnum as the most influential in my life and still have friends in the agency), but given the original format for membership within Magnum, they should reconsider other options. Maybe such treatment would be out of context of the book, although ! it would delve into the many problems of still photography in today's world.

5 of 6 people found the following review helpful:

5.0 out of 5 stars A wonderful book about the passion of art and photojournalis, February 7, 2000

By	LEN KATZ (ROYAL OAK, MICHIGAN) - See all my reviews

This review is from: Magnum: Fifty Years at the Front Line of History (Hardcover)

This is a wonderful book about people who are passionate about their craft. Miller takes us on a journey into one of the worlds premier photo agencies, showing the reader its inner workings, along with the in-fighting. It is an in depth story of some of the worlds best photographers (past and present)and the agency that represents them. It is a wonderful read, detailing the hows and whys of some of the most enduring images in history. This book is highly reccommended to anyone intrested in photojournalism.