Gould's Book of Fish (Paperback)

by Richard Flanagan (Author) "a normal crush of anxieties waiting to return to a normal confinement, and where no-one ever dreamt what it was like to be a seashore,..." (more)
Key Phrases: Capois Death, Twopenny Sal, Sarah Island (more...)

Editorial Reviews

Amazon.com Review
Gould's Book of Fish, an extraordinary work of fact-based fiction by Tasmanian author Richard Flanagan (Death of a River Guide) is a journey through the fringe madness of Down Under colonialism. Set during the 1830s in a hellish island prison colony off the Tasmanian coast, the novel plucks a real-life thief and prisoner, English forger William Buelow Gould, from the pages of history to act as protagonist-narrator. Through Gould's unique capacity to blend hyperbole, hyperrealism, and self-effacing honesty, the reader acquires a shockingly clear picture of daily torment on the island. Yet more remarkable is Gould's portrait of bizarre ambitions among prison authorities to further principles of art and science amidst so much misery. Key to such plans is Gould's talent as a painter and illustrator. The compound's surgeon, nursing hopes of publishing a definitive guide to the island's fish, leans heavily on Gould's ability to record the taxonomy of various species. Though Gould accommodates his masters, the manuscript, in his hands, becomes testimony to their perverse dreams of civilization and his own quick-witted survival instincts. Throughout, Flanagan never loses the well-imagined voice of Gould's candor or the character's dense descriptive powers, talents that translate into a thrilling text that reads like a blend of Melville and Burgess. --Tom Keogh --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly
Flanagan (The Sound of One Hand Clapping) has written a Tasmanian version of Rimbaud's Season in Hell, a mesmerizing portrait of human abjection and sometimes elation set in a 19th-century Down Under penal colony. A small-time forger of antiques in contemporary Tasmania finds a mysterious illustrated manuscript that recounts in harrowing detail the rise and fall of a convict state on Sarah Island, off the Tasmanian coast, in the 1830s. The text is penned by William Gould, a forger and thief (and an actual 19th-century convict) shipped from England to a Tasmanian prison run as a private kingdom by the Commandant, a lunatic tyrant in a gold mask rumored to have been a convict himself. The prison world consists of a lower caste of convicts tormented with lengthy floggings, vile food and various mechanical torture devices by a small number of officers and officials. Gould finagles his way into the good graces of the island surgeon, Tobias Achilles Lempriere, a fat fanatic of natural science, who has Gould paint scientific illustrations of fish, with the goal of publishing the definitive ichthyological work on Sarah Island species. In Gould's hands, however, the taxonomy of fish becomes his testimony to the bizarre perversion of Europe's technology and art wrought by the Commandant's mad ambitions. Civilization, in this inverted world, creates moral wilderness; science creates lies. Carefully crafted and allusive, this blazing portrait of Australia's colonial past will surely spread Flanagan's reputation among American readers. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 416 pages
• Publisher: Grove Press (December 26, 2002)
• Language: English
• ISBN-10: 0802139590
• ISBN-13: 978-0802139597
• Product Dimensions: 9.1 x 5.3 x 1.1 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 3.8 out of 5 stars See all reviews (40 customer reviews)
• Amazon.com Sales Rank: #78,894 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

41 of 42 people found the following review helpful:

5.0 out of 5 stars Clever, complex, and intriguing., June 22, 2002

By	Mary Whipple (New England) - See all my reviews (TOP 50 REVIEWER)    (COMMUNITY FORUM 04)

This review is from: Gould's Book of Fish: A Novel in 12 Fish (Hardcover)

Writing one of the must unusual and imaginative books I've read in a long time, Flanagan presents a multi-leveled novel which is full of wry, sometimes hilarious, observations about people and history, at the same time that it is a scathing indictment of colonialism's cruelties and its prison system, in particular. Almost schizophrenic in its approach, the novel jerks the reader back and forth from delighted amusement to horrified revulsion in a series of episodes that clearly parallel the unstable inner life of main character William Buelow Gould, who lives in "a world that demanded reality imitate fiction."

Sentenced to life imprisonment on an island off the coast of Tasmania, Gould cleverly plays the survival game, ingratiating himself with the authorities through his willingness to paint whatever they want-species of fish for the surgeon, fake Constable landscapes for the turnkey Pobjoy, murals for the Commandant's great Mah-jong Hall, and backdrops for his railroad to nowhere. It is through the fish paintings that Gould paints for himself, however, that he tries to hang onto his sanity against overwhelming cruelty, continuing to believe that life has meaning, though "[it] is a mystery...and love the mystery within the mystery."

This is not an easy book. The action, such as it is, is all filtered through Gould's mind, and that is shaky, at best. In a few passages, Gould (and Hammett, the speaker who opens the novel) describe dream-like reactions to events, reflecting their mental states (not magic realism). When the last hundred pages become surreal, the reader is well-prepared to accept the strange events which unfold. Flanagan's novel is very clever, and his use of specific fish as parallels to the people and events within chapters (especially the serpent eel) is particularly amusing. His characteristically 19th century list of topics at the beginning of each chapter, his duplication of the writing style of the period, his satire, his literary jokes (purple sea urchin ink for "purple prose," jokes about George Keats's brother, a failed poet), and his broad vision of what makes life meaningful are signs of a mature novelist who doesn't hesitate to take chances--5 stars for originality! Mary Whipple

20 of 20 people found the following review helpful:

5.0 out of 5 stars My Selection of the Year, So Far, September 4, 2003

By	Bruce Kendall "BEK" (Southern Pines, NC) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)    (COMMUNITY FORUM 04)

In the reviews that are printed in the Grove Press Trade edition, I counted 22 renowned authors the critics cite with whom to compare Flanagan. The list is rather impressive and includes Joyce, Melville, Conrad, Rabelais, Borges, Hemingway, Marquez, Swift, Morrison, Pynchon, Sterne, Dante, Ovid, de Quincey, Heller, Dickens, Camus, Faulkner, Fielding, Smollet, Dostoevsky and, by inference, Peter Carey (the reference is to Carey's character, Ned Kelly in The True History of the Kelly Gang). Throw in a reference to Wuthering Heights (in terms of the book's lingering effect upon the reader's imagination) and you see the sort of playing field Flannagan is occupying. In terms of critical acclaim, the guy has arrived.

The praise is justified. Great novels introduce us to fully realized worlds, which burst forth from singular imaginations. This is just such a work. As T.S. Elliot noted, great literature also connotes, contains and reexpresses the great literature of the past. As you can infer from the number of references cited, this book acomplishes that.

Great works also contain great characters and William Buelow Gould, "sloe-souled, green-eyed, gap-toothed, shaggy-haired & grizzle-gutted" is as large and expressive a character as has been penned in recent literature. He's witty, expansive, loveable, colorful and as dimensional as they come. He's unforgettable, as are several of the other characters in the novel, most notably the penitentiary surgeon, Mr. Lempriere, in his passionate quest to become another Linnaeus, fellow convict Capois Death, who represents the life-force irrepressible. Towering over them all is the most surreal Commandant, once himself a convict, who through luck and subterfuge has assumed the identity of a British officer who perished in a shipwreck off the coast of Tasmania. He is rescued and taken back to the nearby penal colony, where he again lucks out when the old Commandant dies and there is no one else to replace him. He ultimately assumes absolute power and control over every guard, soldier and inmate in the colony and proceeds to engage all these unfortunate inhabitants in fullfilling his grandiose schemes. To accentuate his god-like stature, he has a gold mask fashioned for him, behind which his old identity disappears. His history and his fate, becomes inextricably linked with Gould's.

One word of warning, and it is the sort of warning that small children would be powerless to obey, but I know that I am writing to intelligent, mature readers here. Do not look at the final page of the book!! It will ruin the read for you, I assure you, and it is such a great read, you really don't want that to happen, do you? Remember the old adage about Curiosity and the fate of the cat!! Don't be led by your feline instincts!! Save the surprise for the right time! I know that I've just made that difficult for you, but it's just not worth it, I assure you! OK, now that that's settled, go get a copy of this treasure and prepare for a marvelous voyage.

BEK

17 of 17 people found the following review helpful:

5.0 out of 5 stars Must help to bump up this rating a bit, May 12, 2002

By	William E. May "vladekrussell" (New York, NY United States) - See all my reviews (REAL NAME)

This review is from: Gould's Book of Fish: A Novel in 12 Fish (Hardcover)

This is most certainly a bleak read and if it hadn't been so well-written, I might have given up on it fairly early on. Readers that have faith that it all must mean something will have that faith rewarded eventually, though. Honestly, it took me until I reached around page 300 of this 400 page novel to decide that I actually liked it. By the time I reached the end, I was so, so happy that I had pressed on. This isn't just the catalogue of miseries it seems to be for so many pages. There is, indeed, a point and once the themes of the novel become clear, the reader finds himself remembering details from the previous few hundred page in a new, sometimes hilarious, sometimes tragic way. Loads of fun. I am definitely moving on to something with a bit more tenderness for my next read, but I cannot recommend this book highly enough. Lovely to look at, too.