Review
Zitkala-sa, renamed Gertrude Simmons by Catholic missionaries, was one of the first Sioux women to write the stories and traditions of her people. The first set of stories in this collection is autobiographical. Zitkala-sa describes living in her mother's wigwam on the Yankton Reservation at the edge of the Missouri River where she is "as free as the wind that blew my hair, and no less spirited than a bounding deer." Until she is eight years old, Zitkala-sa's only fear is "that of intruding myself upon others." Then, despite her mother's objections, she is enticed by visions of endless apple trees and the excitement of riding on "the iron horse" and leaves her mother for school in the east. Although Zitkala-sa goes on to become a teacher, she never stops questioning "whether real life or long-lasting death lies beneath this semblance of [white] civilization." The second half of the book contains stories based on her family's tradition of oral history.
The Trial Path describes the course of tribal justice after a murder. Tusee,
A Warrior's Daughter, is the courageous and shrewd woman who risks everything for her husband-to-be. The son in
The Sioux must kill twice to save his father from starvation. Written with elegant simplicity more than seventy years ago, Zitkala-sa's
American Indian Stories remain a powerful plea for justice.
-- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. --
From 500 Great Books by Women; review by Jesse Larsen
Product Description
Zitkala-Ša (Gertrude Bonnin) was one of the early Indian writers to record tribal legends and tales from oral tradition. Impressions of an Indian Childhood describes her first eight yeas on the Yankton Reservation, where she was born in 1876. Her schooling in Indiana revealed a gift for writing that led in 1901 to the publication of Old Indian Legends, also a Bison Book. For the rest of her rife, this Sioux was in the poignant but creative position of trying to bridge the gap between her own culture and the dominant white one, unable to return fully to the former or to enter fully into the latter.
These pieces, largely autobiographical, were first collected and published in 1921. With their reissue, Zitkala-Ša takes her rightful place among such native interpreters of Sioux culture as Charles A. Eastman and Luther Standing Bear
.
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