From Publishers Weekly
The craggy coast of Ireland provides a brooding backdrop for this stirring folktale, reputed to be the genesis of Shakespeare's Lear. After the death of his wife, Aobh, King Lir marries her sister Aiofe, whose beauty "hid an evil heart." Jealous of her husband's love for his four children, Aiofe casts a spell on the youths, turning them into swans "for three times three hundred years," or until the twin mountains bordering the kingdom should come together. In her second book, MacGill-Callahan ( And Still the Turtle Watched ) exhibits an admirable sense of classical fairy-tale style: her prose, studded with poetic imagery and elegant turns of phrase, escalates the story's dramatic impact. Spirin's ( Snow White and Rose Red ) characteristically sumptuous, gilt-flecked paintings accentuate both the material opulence of royalty and the strength and natural beauty of the varied animals who assist the swans and provide the book's joyful conclusion. Lavish double-page spreads are balanced by smaller watercolors set among the text--though the painstaking detail is occasionally difficult to discern in the individual illustrations. A lyrical and compelling narrative, coupled with another triumph of artistry and exquisite design for a consummate craftsman. Ages 4-8.
Copyright 1993 Reed Business Information, Inc.
From School Library Journal
Grade 3 Up-- This book makes a gorgeous first impression. However, compared to the traditional story of the children of Lyr as retold by Joseph Jacobs ( Celtic Fairy Tales Dover, 1968) or the collection Irish Folktales (Pantheon, 1987), it seems an irresponsible adaptation. The author's assertion that scholars connect this ancient king with Shakespeare's Lear may or may not be accurate, but it is a connection in name only. The folkloric roots of Shakespeare's Lear are found in the story of the princess who loved her father as much as salt. The one noticeable common thread from the play to this book is the king's madness, and it is not found in the traditional tale of Lyr's children. In that story, the king marries his dead wife's sister, who is jealous of his children and turns them into swans. They spend their lives this way until the spell is broken just as, old and withered, their human forms are ready to die. There is spiritual redemption, but no corporeal second chance. In this lavishly illustrated bit of fluff, readers will find the jealous aunt and the transformation into swans, but the children's story is beautified, expurgated, and given an environmental gloss that breaks down. The beasts of the air and the water, led by a jolly whale, join forces to save the four swan children--still young and pretty--and everyone lives happily ever after. Spirin's lush, detailed watercolors, glorious in San Souci's The White Cat (Orchard, 1990), alternate here between narrative miniatures and double-page spreads crowded to the point of confusion. Yes, his whales and gulls and seals and swans are well rendered, but to what purpose? Text is framed in borders of intricate design, creating an illusion of illuminated parchment--a lavish production for so little content. There is a murky "scholarly" addendum that obfuscates the story even further. Don't judge this book by its cover. --Sally Margolis, Deerfield Public Library, IL
Copyright 1993 Reed Business Information, Inc.