Amazon.com Review
The Land is Mildred D. Taylor's wonderful prequel to her Newbery Medal winner,
Roll of Thunder, Hear My Cry. In the stories Taylor has to tell, life is not fair, hard work doesn't always pay off, and the good guy doesn't always win. That's because this extraordinary author tells the stories of her African American family in the Deep South during and after the Civil War, a time of ugly, painful racism.
Paul-Edward Logan, the son of a white, plantation-owner father and a slave mother, is our narrator, bound and determined to buy his own land and shape his own future at whatever cost. Caught between black and white worlds and not fitting into either one is devastating for him, but his powerful, engaging tales of the love of family, the strength of friendship, and growing up will inspire anyone to dare to persevere despite terrible odds. Taylor's books are not only essential in understanding what led up to the Civil Rights movement in America--they are also breathtaking page-turners, full of suspense, humor, love, and hope. The Land certainly stands alone, but the other award-winning tales of the Logan family--Roll of Thunder, Hear My Cry; Let the Circle Be Unbroken; and The Road to Memphis--are excellent as well. Heartily recommended. (Ages 12 and older) --Karin Snelson
From Publishers Weekly
Taylor's gift for combining history and storytelling are as evident here as in her other stories about the Logan family. This prequel to Roll of Thunder, Hear My Cry focuses on Cassies's grandfather, Paul-Edward Logan, and explains how the seeds were planted for feuds between the Logans and other families, as well as certain loyalties. Here, the author deftly explores double standards in the South during the years following the Civil War. She lays the groundwork for these issues to be examined through two key relationships in the childhood of Paul-Edward, a boy of mixed race: the strong bond he shares with Robert, his white half-brother, and a tenuous friendship with Mitchell, whose parents were born into slavery and whose father works for Paul-Edward's father. Through them, the hero becomes painfully aware of the indelible line dividing black and white society. Though it is acceptable that his father, plantation-owner Edward, keeps an African-American mistress and helps rear her children, Paul-Edward and his sister, Cassie, are not allowed the same privileges as their half-brothers. An incident of family betrayal and a broken promise prompts Paul-Edward to run away from home and pursue his dream to farm his own piece of land. After arriving in Mississippi and setting his sights on the acreage he wants to buy, he soon discovers that becoming a landowner of color is more complicated and dangerous than expected. Like any good historian, Taylor extracts truth from past events without sugarcoating issues. Although her depiction of the 19th-century South is anything but pretty, her tone is more uplifting than bitter. Rather than dismissing hypocrisies, she digs beneath the surface of Paul-Edward's friends and foes, showing how their values have been shaped by social norms. Here, villains are as much victims as heroes, but only those as courageous as the protagonist challenge the traditions that promote inequality. Even during the book's most wrenching scenes, the determination, wisdom and resiliency-which become the legacy of the Logan family-will be strongly felt. Taylor fans should hasten to read this latest contribution to the Logan family history, and newcomers will eagerly lap this up and plunge into the author's other titles. Ages 12-up. (Step.) Taylor's gift for combining history and storytelling are as evident here as in her other stories about the Logan family. This prequel to Roll of Thunder, Hear My Cry focuses on Cassies's grandfather, Paul-Edward Logan, and explains how the seeds were planted for feuds between the Logans and other families, as well as certain loyalties. Here, the author deftly explores double standards in the South during the years following the Civil War. She lays the groundwork for these issues to be examined through two key relationships in the childhood of Paul-Edward, a boy of mixed race: the strong bond he shares with Robert, his white half-brother, and a tenuous friendship with Mitchell, whose parents were born into slavery and whose father works for Paul-Edward's father. Through them, the hero becomes painfully aware of the indelible line dividing black and white society. Though it is acceptable that his father, plantation-owner Edward, keeps an African-American mistress and helps rear her children, Paul-Edward and his sister, Cassie, are not allowed the same privileges as their half-brothers. An incident of family betrayal and a broken promise prompts Paul-Edward to run away from home and pursue his dream to farm his own piece of land. After arriving in Mississippi and setting his sights on the acreage he wants to buy, he soon discovers that becoming a landowner of color is more complicated and dangerous than expected. Like any good historian, Taylor extracts truth from past events without sugarcoating issues. Although her depiction of the 19th-century South is anything but pretty, her tone is more uplifting than bitter. Rather than dismissing hypocrisies, she digs beneath the surface of Paul-Edward's friends and foes, showing how their values have been shaped by social norms. Here, villains are as much victims as heroes, but only those as courageous as the protagonist challenge the traditions that promote inequality. Even during the book's most wrenching scenes, the determination, wisdom and resiliency-which become the legacy of the Logan family-will be strongly felt. Taylor fans should hasten to read this latest contribution to the Logan family history, and newcomers will eagerly lap this up and plunge into the author's other titles. Ages 12-up.
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