From Publishers Weekly
The Twelve Dancing Princesses have nothin' on the 12 sons of Reverend Knight, a Harlem preacher. Narrating the tale in a chatty if somewhat rambling voice, the family dog, Happy, explains that this man "raised his sons with a firm, loving hand... but a lot was goin' on that couldn't be explained." Actress, choreographer and producer Allen gives a familiar tale a hip spin as the brothers dance each night from one roof to the next to reach the Big Band Ballroom. There they swing till dawn, returning home with shoes "worn to threads, messed up, torn up, stinky, dirty, tacky, jacked up." Sunday, a sharp, attractive housekeeper with magical powers, discovers the siblings' secret, but she keeps mum, waiting instead until the kids themselves are ready to 'fess up to their dad. They don't and she quits, but all ends happily. Successfully capturing the energy of the swirling, twirling nighttime revelers, first-time children's book artist Nelson's sepia-toned illustrations possess the precision of line accorded to pen-and-inks, filled out with a full palette of oil paints. He's equally adept with the interiors of the church as with rooftop scenes of the boys whooping it up under starlit skies. A funky, fresh adaptation. Ages 5-up. (Sept.)
Copyright 1999 Reed Business Information, Inc.
From School Library Journal
Kindergarten-Grade 4-A spin-off of the Grimm tale, "The Twelve Dancing Princesses," this is the story of Preacher Knight and his attempts to solve the mystery of the worn-out sneakers he finds in his sons' room each morning. Believing that their father would not approve of their clandestine dancing at the Big Band Ballroom, the 12 boys refuse to confide in him. Only when the ingenious housekeeper, Sunday, attempts to reveal the brothers' secret is Reverend Knight's own predilection for dancing disclosed and the family-along with the bewitching Sunday-reconciled. The setting for Allen's fresh imagining is "a little village called Harlem." Her hip text is given spark and personality through the use of contemporary dialect: Sunday's cookies " were jump up and down, slap yo' own self in the face good!" The humor of the story is heightened by the artwork. Nelson's pencil drawings were photocopied and then painted in oils, producing a fine line, minutely detailed characters and settings, and expressively lit coloration. The strutting, high-stepping brothers are full of individuality, attitude, and movement. Text is boxed with old frayed sneakers and laces. Few elements of the Grimm tale remain, except the worn shoes, the illicit dancing, the outsider who solves the mystery, and the cloak of invisibility. However, new elements, such as the gender change and the brothers' motivation for secrecy, fit neatly. The choice of the family dog as narrator is the only false note. His expository remarks, though humorous, sometimes interrupt the flow. Still, don't let this small flaw keep this original title off your dance card.
Kate McClelland, Perrot Memorial Library, Greenwich, CT Copyright 1999 Reed Business Information, Inc.