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by Jean-Luc Nancy
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by Jacques Rancière
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by Jacques Derrida
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The Ground of the Image (Perspectives in Continental Philosophy) by Jean-Luc Nancy |
by Jacques Rancière
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Throughout the five essays, Nancy's argument hinges on the culminating formulation of this relation in Hegel's "Aesthetics" and "The Phenomenology of the Spirit"--art as the sensible presentation of the Idea. Demonstrating once again his renowned ability as a reader of Hegel, Nancy scrupulously and generously restores Hegel's historical argument concerning art as a thing of the past, as that which is negated by the dialectic of Spirit in the passage from aesthetic religion to revealed religion to philosophy.
In the book's second essay, Nancy reads what he calls Hegel's "secret" (a secret even from Hegel): the emergence of art as presentation rather than representation. This intricate and compelling reading is key to the remaining essays: a virtuoso reading of Caravaggio's "Death of the Virgin"; an analysis of a traced hand in the grotto of Lascaux as the essential mimetic gesture, the monstration of self outside of self; and an account of the contemporary situation of art, including the question of whether art today is still art. Nancy is among the very few present-day thinkers who ask rigorous and sustained questions about art and the practice of thinking about art.
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