Amazon.com Review
She was George Ballanchine's muse for 20 years and his wife for 6; together they made the New York City Ballet an essential part of American culture with his choreography and her dazzling, technically bravura dancing in "Firebird," "Swan Lake," and other modern classics. Maria Tallchief's dignified autobiography describes their groundbreaking artistic collaboration with satisfying thoroughness. She is reserved about their personal relationship but candid about the increasing favor Ballanchine showed to younger dancers, which led to her departure from the company in 1966. Her story captures a key moment in ballet history.
From Booklist
Tallchief, the daughter of a full-blooded Osage Indian father and a mother of Scotch-Irish descent, was the queen of American ballet in its glory years; and her life story reads like a fairy tale, but one in which the princess must pay a high price for her magical gifts. Tallchief devoted herself to ballet at an early age, achieving instant recognition when she went to New York in 1942 at age 17. Immediately accepted as a member of the Ballet Russe, she caught the fervent attention of the controversial and brilliant choreographer George Balanchine. He made Tallchief not only his prima ballerina--creating unforgettable roles for her that called for "pyrotechnical virtuosity and limitless stamina" --but also his wife. Tallchief, adeptly assisted by coauthor Larry Kaplan, who also cowrote Edward Villella's autobiography,
Prodigal Son (1991), is modest about her own stupendous talent but expresses undiminished awe for Balanchine's genius. Her descriptions of working with Balanchine and Stravinsky are fascinating and exhilarating, but her accounts of the terrible strain of 14-hour days of practice and performance are sobering. At the height of her career, Tallchief suffered from "perpetual exhaustion" and a fractured personal life, but she has no regrets--only sterling memories and much to be proud of.
Donna Seaman
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