From Publishers Weekly
First-novelist Kilmer launches a promising series with this darkly humorous story about a couple of art deals turned sour in Boston. Fred Taylor, whose job skills were picked up on clandestine operations in Southeast Asia, now assists a Boston art collector. By the time Kilmer is through acquainting readers with the cutthroat side of collecting (where acquiring a painting can literally be murder), Fred's career path makes sense. First Fred's boss, aesthete Clayton Reed, wants to pick up a mediocre landscape that may be a priceless painted-over Vermeer. Reed also picks up an unsigned nude, which may possibly be the work of a major painter, from a pornographer who is soon found murdered. The suspense builds after a slow start as the art-history sleuthing-which makes murder seem mundane-gains momentum. Kilmer's prose can be self-consciously highfalutin, but his characters are lively, the context makes for a stimulating change of pace and the plot is inventive in this excellent first effort.
Copyright 1995 Reed Business Information, Inc.
From Library Journal
First-timer Kilmer has concocted a certified winner featuring secretive Beacon Hill art collector Clayton Reed and his man-of-the-world assistant, Fred Taylor. Since they suspect that an uninteresting New England landscape destined for auction may have been painted over a "lost" Vermeer, they scheme to win the work without competition. Meanwhile, when Fred picks up another painting purchased by Reed, the two become unwittingly involved in the murder of a seedy photographer. Dry wit, unruffled prose, and uncomplicated plot recommend this title.
Copyright 1995 Reed Business Information, Inc.