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Editorial Reviews
Amazon.com
The Spanish conquest of the Maya homeland in southern Mexico and Central Mexico, writes historian Matthew Restall, had three major episodes: the arrival of reconnaissance parties soon after Cortez's first landing in 1520, the subsequent arrival of conquistadors and their newly subjugated Aztec allies, and finally, the arrival of Spanish colonists. These episodes have been related in official Spanish documents. Now, with Restall's translation of hitherto unknown Maya codices, they are related through the eyes of the Maya themselves, who recount, for instance, the advent of "Castilian men [who came] to ask for the way to Uloa, to the land where gold and plumage and cacao come from." Such reversed-perspective documents abound in Aztec literature, but this is the first discovery of similar accounts from the Maya, and it makes an important contribution to the ethnographic and historical literature. --Gregory MacNamee --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
These cultural excursions into the "conflicted yet enamored history" of Mexican American interchange sporadically catch fire, but more often they're too thinly researched and too dense with theory to do more than set off sparks. It's not for lack of subject matter. Limon, a professor of English and anthropology, is interested in how everything from the meteoric rises of Texas politicians Henry Cisneros and Ann Richards to the fiction of Cormac McCarthy speaks to a complicated history of border crossings and power politics. In the face of repeated Anglo romanticization of Mexico as sensual and fatalistic, he wonders, how can artists and intellectuals on both sides of this divide present affirmative imagery? Limon finds answers in the fiction of Katherine Anne Porter, such classic Westerns as High Noon and Southwestern kitsch as expressed in the ballad "El Paso," in whose cross-cultural love affair he discerns "a kind of victory for that culture and its people at a time when such recognitions were few and far between." Yet only his discussion of the career of pop singer Selena ("at a moment of absolute perceived political failure," she provided "the only remaining possibility of freedom and triumph with integrity") fully supports his arguments. Some readers will enjoy the author's theoretical play, but others will prefer an interpretation capable of more than suggestion.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
The Spanish conquest of the Maya homeland in southern Mexico and Central Mexico, writes historian Matthew Restall, had three major episodes: the arrival of reconnaissance parties soon after Cortez's first landing in 1520, the subsequent arrival of conquistadors and their newly subjugated Aztec allies, and finally, the arrival of Spanish colonists. These episodes have been related in official Spanish documents. Now, with Restall's translation of hitherto unknown Maya codices, they are related through the eyes of the Maya themselves, who recount, for instance, the advent of "Castilian men [who came] to ask for the way to Uloa, to the land where gold and plumage and cacao come from." Such reversed-perspective documents abound in Aztec literature, but this is the first discovery of similar accounts from the Maya, and it makes an important contribution to the ethnographic and historical literature. --Gregory MacNamee --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
These cultural excursions into the "conflicted yet enamored history" of Mexican American interchange sporadically catch fire, but more often they're too thinly researched and too dense with theory to do more than set off sparks. It's not for lack of subject matter. Limon, a professor of English and anthropology, is interested in how everything from the meteoric rises of Texas politicians Henry Cisneros and Ann Richards to the fiction of Cormac McCarthy speaks to a complicated history of border crossings and power politics. In the face of repeated Anglo romanticization of Mexico as sensual and fatalistic, he wonders, how can artists and intellectuals on both sides of this divide present affirmative imagery? Limon finds answers in the fiction of Katherine Anne Porter, such classic Westerns as High Noon and Southwestern kitsch as expressed in the ballad "El Paso," in whose cross-cultural love affair he discerns "a kind of victory for that culture and its people at a time when such recognitions were few and far between." Yet only his discussion of the career of pop singer Selena ("at a moment of absolute perceived political failure," she provided "the only remaining possibility of freedom and triumph with integrity") fully supports his arguments. Some readers will enjoy the author's theoretical play, but others will prefer an interpretation capable of more than suggestion.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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14
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cite this book:
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- Seven Myths of the Spanish Conquest by Matthew Restall on 12 pages
- Colonial Lives: Documents on Latin American History, 1550-1850 by Richard Boyer on page 28, Back Matter (1), and Back Matter (2)
- Colonial Lives: Documents on Latin American History, 1550-1850 by Richard Boyer on page 28, Back Matter (1), and Back Matter (2)
- Royal Courts of the Ancient Maya: Volume 2: Case Studies by Takeshi Inomata on page 301, and page 381
- Victors and Vanquished: Spanish and Nahua Views of the Conquest of Mexico (The Bedford Series in History and Culture) by Stuart B. Schwartz on page 222, and Back Matter
See all 14 books citing this book