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Better Together
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Editorial Reviews
Amazon.com
In her lifetime, Rachel Carson published only four books. She was a careful writer and meticulous researcher, for one thing, and she worked as a government scientist until the success of books like Silent Spring and The Sea Around Us enabled her to turn to her own writing full-time. She also published several magazine pieces, many of which biographer Linda Lear gathers here, along with letters and journal entries. In one piece that is characteristic both of her modesty and of her wit, Carson remarks on her then-unusual status of being an "average-sized woman" and a scientist, one who had just become "a biographer of the sea." In another, Carson writes of the necessity of protecting shorelines from economic development that would hasten their erosion and subsequent destruction. Carson's many fans will take much pleasure in this anthology of her work. --Gregory McNamee --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
If fleeting sketches can sometimes say more than the fully realized work, this collection of journal entries, a TV script, speeches and articles by one of the pioneers of the modern environmental movement gracefully delivers. Pieces on the destruction of unique island eco-systems, the connection of music to nature and environmental "managed care" of waterfowl refuges offer sad testament to Carson's range, never to be further explored due to her early death from breast cancer, in 1964. Written with mesmeric intensity, Carson's first piece of published adult work, "Undersea," was accepted by the Atlantic in 1935. Reprinted here, it reveals her lasting obsession not only with the sea but with the antiquity and majestic continuity of life on earth. Her other famous passion, exposing the ravaging effects of pesticides, which was devastatingly depicted in her 1962 classic, Silent Spring, is defended here in a speech that marks the maturity of her voice. Highly informed and occasionally withering, this refutation of her big-business critics reveals the nasty arena she felt forced to enter. In other speeches, Carson, a trained biologist, laments the perceived distance between science and a language that can touch nonscientific people. For a TV script on the subject of clouds, she states, in a delicate synthesis of fact and poetry, "They are the writing of the wind on the sky." The careful gathering of fragments by Lear (author of the 1997 biography Rachel Carson), if presented a little too reverently, gives rare glimpses of Carson's personal vulnerability and of her strange fusion of restraint and fervor, offering a frequent sense of being in Carson's company.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
In her lifetime, Rachel Carson published only four books. She was a careful writer and meticulous researcher, for one thing, and she worked as a government scientist until the success of books like Silent Spring and The Sea Around Us enabled her to turn to her own writing full-time. She also published several magazine pieces, many of which biographer Linda Lear gathers here, along with letters and journal entries. In one piece that is characteristic both of her modesty and of her wit, Carson remarks on her then-unusual status of being an "average-sized woman" and a scientist, one who had just become "a biographer of the sea." In another, Carson writes of the necessity of protecting shorelines from economic development that would hasten their erosion and subsequent destruction. Carson's many fans will take much pleasure in this anthology of her work. --Gregory McNamee --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
If fleeting sketches can sometimes say more than the fully realized work, this collection of journal entries, a TV script, speeches and articles by one of the pioneers of the modern environmental movement gracefully delivers. Pieces on the destruction of unique island eco-systems, the connection of music to nature and environmental "managed care" of waterfowl refuges offer sad testament to Carson's range, never to be further explored due to her early death from breast cancer, in 1964. Written with mesmeric intensity, Carson's first piece of published adult work, "Undersea," was accepted by the Atlantic in 1935. Reprinted here, it reveals her lasting obsession not only with the sea but with the antiquity and majestic continuity of life on earth. Her other famous passion, exposing the ravaging effects of pesticides, which was devastatingly depicted in her 1962 classic, Silent Spring, is defended here in a speech that marks the maturity of her voice. Highly informed and occasionally withering, this refutation of her big-business critics reveals the nasty arena she felt forced to enter. In other speeches, Carson, a trained biologist, laments the perceived distance between science and a language that can touch nonscientific people. For a TV script on the subject of clouds, she states, in a delicate synthesis of fact and poetry, "They are the writing of the wind on the sky." The careful gathering of fragments by Lear (author of the 1997 biography Rachel Carson), if presented a little too reverently, gives rare glimpses of Carson's personal vulnerability and of her strange fusion of restraint and fervor, offering a frequent sense of being in Carson's company.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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