From Publishers Weekly
It may be true, as Tolstoy wrote, that all happy families resemble one another, but it would be next to impossible to find a family anything like the Ratoryans, the 19th-century Jewish clan engagingly depicted in this first novel?or a writer who could conjure them up more vividly than Israeli journalist Rabinyan. The members of this passionate, superstitious family inhabit a traditional Persian village where, for women, marriage and childbirth are paramount and the news that a girl has begun menstruating is disseminated by carrier pigeon. Flora?voluptuous, adorable, foolish and very pregnant at 15?casts spells every day and sings magic songs every night until her voice grows hoarse, hoping to bring her errant husband, a wayward cloth merchant, back to her. Downstairs, her 11-year-old cousin Nazie dreams of marrying Flora's brother. Episodic but not merely pastoral, the novel tells one poignant, bewitching story after another, seducing us with vivid language and outrageous tales of deception, devotion and magic. Rabinyan crams every page with evocative details: Flora spending the three days before her wedding delousing her fiance's scalp; a woman smearing her husband's glasses with a thin layer of goat's butter to keep him from discovering her ugliness; a cloth merchant who can't fall asleep without rubbing fabric between his fingers. Rabinyan's brisk, fetching prose expertly summons a long-vanished land and renders it dazzling and delicious.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Two Jewish girls are the center of this first novel, which describes in almost magical fashion the inhabitants of a small Persian village at the beginning of the century. Fifteen-year-old Flora Ratoryan is pregnant, and her cloth-merchant husband has abandoned her. Her 11-year-old cousin, Nasie, consoles her while wishing for her own marriage to Flora's brother, Moussa, to whom she has been betrothed since birth. The story only covers a few days in the lives of these girls, but the background of the inhabitants of this almond tree alley in the fictional village of Omerijan rounds out the picture. Vivid descriptions of cruelty (Miriam Hanoun, Flora's mother, kills cats; Moussa beats Flora unmercifully because he can't stand her laughter) and sensuality mix with the descriptions of everyday life. This may be too heady a mixture for some readers, but the storytelling is superb.?Molly Abramowitz, Silver Spring, Md.
Copyright 1998 Reed Business Information, Inc.