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Horrible Prettiness: Burlesque and American Culture (Cultural Studies of the United States)
 
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Horrible Prettiness: Burlesque and American Culture (Cultural Studies of the United States) (Paperback)

by Robert C. Allen (Author)
5.0 out of 5 stars See all reviews (1 customer review)

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Editorial Reviews

Review
An intriguing exploration.

Winterthur Portfolio

Groundbreaking in situating dance as part of a social context.

Lingua Franca

An exemplary work of cultural studies.

Women's Review of Books

A solid and often brilliant work that will challenge most readers' preconceptions about this genre of entertainment.

New England Quarterly

Product Description
Robert Allen's compelling book examines burlesque not only as popular entertainment but also as a complex and transforming cultural phenomenon. When Lydia Thompson and her controversial female troupe of "British Blondes" brought modern burlesque to the United States in 1868, the result was electric. Their impertinent humor, streetwise manner, and provocative parodies of masculinity brought them enormous popular success—and the condemnation of critics, cultural commentators, and even women's rights campaigners.

Burlesque was a cultural threat, Allen argues, because it inverted the "normal" world of middle-class social relations and transgressed norms of "proper" feminine behavior and appearance. Initially playing to respectable middle-class audiences, burlesque was quickly relegated to the shadow-world of working-class male leisure. In this process the burlesque performer "lost" her voice, as burlesque increasingly revolved around the display of her body.

Locating burlesque within the context of both the social transformation of American theater and its patterns of gender representation, Allen concludes that burlesque represents a fascinating example of the potential transgressiveness of popular entertainment forms, as well as the strategies by which they have been contained and their threats defused.


Product Details

  • Paperback: 382 pages
  • Publisher: The University of North Carolina Press (May 27, 1991)
  • Language: English
  • ISBN-10: 0807843164
  • ISBN-13: 978-0807843161
  • Product Dimensions: 9 x 6 x 0.9 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
  • Amazon.com Sales Rank: #435,146 in Books (See Bestsellers in Books)


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14 of 15 people found the following review helpful:
5.0 out of 5 stars Enchanting and Thought Provoking, March 29, 2000
This enchanting work brings the burlesque back to life! When Lydia Thompson hit New York theaters in 1868, she and her troupe were an immediate success. But she also initiated a vituperative debate over the appropriate limits for the female performer. Robert Allen vividly describes how Americans increasingly put aside their religious reservations and took to the theater by the mid-19th century. He first examines the physical and social arrangement of space within the theater auditorium. He then takes his reader on a journey through the male-impersonating, revealingly attired, slang-spouting, minstrel-dancing burlesque women to their descendants - the cooch dancers and modern day striptease. A unique book for entertainment buffs and feminist thinkers alike. To read actual burlesque plays see "The Best Burlesque Sketches".
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