From Publishers Weekly
Lyon, a young Jewish New Yorker, joined the Student Nonviolent Coordinating Committee (SNCC) in 1962 as a photographer. The 212 black-and-white photographs shown here, taken from 1962 to 1965, document that short-lived, influential civil rights organization before it was undone by assassinations, the rise of the antiwar movement and the SNCC's espousal of black militancy. Lyon's images of cafeteria sit-ins and street demonstrations, showing sanguine, missionary-like protestors and furious, tight-lipped cops, are stark portraits of tension. The power of Lyon's photos is undiminished by his occasionally awkward text. Lyon debunks the myth that the 1963 march on Washington and Martin Luther King's 1965 march to Montgomery were the pivotal events of the movement; rather, they were mostly for the benefit of the media. Far more important, he writes, were the small-town skirmishes arising from the local Southern movement. Lyon ( The Bike riders ) also carefully describes the racial tensions within SNCC that were partially responsible for his leaving. The book is an honest, rich statement, transmitting the tumult, cross-purposes and devotion of the era.
Copyright 1992 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Product Description
In the summer of 1962, 20-year-old Danny Lyon packed his cameras and hitchhiked south. Within a week he was in jail in Georgia, looking through the bars at another prisoner, Dr. Martin Luther King, Jr. Lyon's photos and text are more just a record of marches, jailings, and protests, they take us behind the scenes to chronicle the southern Civil Rights movementfirsthand. 235 duotone pho tos. (Univ. of North Carolina Press)