The Glass Menagerie (Turtleback School & Library Binding Edition) (New Directions Books) (School & Library Binding)

~ (Author) "The Wingfield apartment is in the rear of the building, one of those vast hive-like conglomerations of cellular living-units that flower as warty growths in..." (more)
Key Phrases: scene dims, Blue Roses, Jim O'Connor, Glass Menagerie (more...)

Editorial Reviews

Review

One-act drama by Tennessee Williams, produced in 1944 and published in 1945. Considered by some critics to be Williams' finest drama, The Glass Menagerie launched his career. Amanda Wingfield lives in a St. Louis tenement, clinging to the myth of her early years as a Southern belle. Her daughter Laura, who wears a leg brace, is painfully shy and often seeks solace in her collection of small glass animals. Amanda's son Tom is desperate to escape his stifling home life and his warehouse job. Amanda encourages him to bring "gentleman callers" home to his sister. When Tom brings Jim O'Connor for dinner, Amanda believes that her prayers have been answered. Laura blossoms during Jim's visit, flattered by his attention. After kissing her, however, he confesses that he is engaged. Laura retreats to her shell, and Amanda blames Tom, who leaves home for good after a final fight with his mother. -- The Merriam-Webster Encyclopedia of Literature --This text refers to an out of print or unavailable edition of this title.

Product Description

THIS EDITION IS INTENDED FOR USE IN SCHOOLS AND LIBRARIES ONLY. Crippled Laura Wingfield momentarily accepts reality and breaks free from the imaginary world of her glass animals when her mother arranges for her to have a gentleman caller.

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Product Details

• Reading level: Young Adult
  
• School & Library Binding: 105 pages
• Publisher: Turtleback (June 1, 1999)
• Language: English
• ISBN-10: 0808508830
• ISBN-13: 978-0808508830
• Product Dimensions: 7.6 x 5.3 x 0.5 inches
• Shipping Weight: 7.2 ounces (View shipping rates and policies)
• Average Customer Review: 3.7 out of 5 stars  See all reviews (133 customer reviews)
• Amazon.com Sales Rank: #1,488,927 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

34 of 39 people found the following review helpful:

5.0 out of 5 stars Tennesse Williams's memory play about his lost family, May 20, 2002

By	Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) - See all my reviews (TOP 10 REVIEWER)    (COMMUNITY FORUM 04)

This review is from: The Glass Menagerie (Paperback)

Amanda Wingfield, the matriarch of "The Glass Menagerie," always tells her daughter, Laura, that she should look nice and pretty for gentleman callers, even though Laura has never had any callers at their St. Louis apartment. Laura, who limps because of a slight physical deformity, would rather spend her time playing with the animals in her glass menagerie and listening to old phonograph records instead of learning shorthand and typing so she can be employable. When she learns Laura has only been pretending to go to secretarial school, Amanda decides Laura must have a real gentleman caller and insists her son Tom, who works at a shoe factory, find one immediately. After a few days, Tom tells Amanda he has invited a young man named Jim O'Connor home for dinner and at long last Laura will have her first gentleman caller.

The night of the dinner Amanda does every thing she can to make sure Laura looks more attractive. However, when Laura realizes that the Jim O'Connor who is visiting is possibly the same Jim on whom she had a crush in high school, she does not want to go through with the dinner. Although she has to be excused from the dinner because she has made herself physically ill, Laura is able to impress Jim with her quiet charm when the two of them keep company in the living room and she finally loses some of her shyness. When Jim gives Laura her first kiss, it looks as if Amanda's plans for Laura's happiness might actually come true. But no one has ever accused Tennessee Williams of being a romantic.

"The Glass Menagerie" was the first big success in the long and storied career of playwright Tennessee Williams. Written in 1944, the drama consists of reworked material from one of Williams' short stories, "Portrait of a Girl in Glass," and his screenplay, "The Gentleman Caller." In many ways it is an atypical drama from Williams, with the character of Tom (a role I will confess to playing on stage) serving as a narrator who breaks the "fourth wall" and addresses the audience, which evinces Williams' affinity for Eugene O'Neill (e.g., "The Emperor Jones") at this point in his career. Tom tells the audience that this play offers truth dressed up as illusion, and in his stage directions (which are usually not taken full advantage of in the various performances I have seen because what was cutting edge in 1944 is overly quaint today) he uses not only monologues but also music and projections to enhance the memories on display. Williams also explicitly tells his audience that the gentleman call is the symbol of "the expects something that we live for."

This "memory play" tells of a family trapped in destructive patterns. After being abandoned by her husband, Amanda Wingfield, a woman of the Great Depression, has become trapped between worlds of illusion and reality. She says she wants what is best for her children, but seems incapable of acknowledging what that would be or actually providing it for them. Tom, tired of only watching adventure at the movies, is determined to break away from his dominating mother, but stays only for the sake of his sister. Laura may not be the glamorous belle of the ball her mothers wants, but she has her own inner charm and when confronted with Jim, a visitor from the normal world, there is the chance that she will finally claim her life as her own. This is a poignant drama on the importance of love and it represents a memory of not only family but also of loss.

10 of 11 people found the following review helpful:

5.0 out of 5 stars An excellent play, March 27, 2000

By	Robert (California) - See all my reviews

This review is from: The Glass Menagerie (Paperback)

This play is one of the most moving, realistic works ever written. Each character is given such an intricate psychology that they feel real.You are able to empathise with each character's pain, hope and reality. For those of you who say it is boring, don't read classics anymore. The play is not about plot but about REAL people in REAL situations with profound symbolism and harsh, harsh reality. From start to finish, this play shapes itself. Every word must be there. Every scene has to exist or the meaning would be lost. Real life isn't exciting, it is filled with emotion and thoughts that no other writer has ever been able to potray so well as Tenesse Williams. This is definately his finest work and a true gem in American Literature.

26 of 34 people found the following review helpful:

5.0 out of 5 stars -What i thought of it-, September 11, 1999

By A Customer

This review is from: The Glass Menagerie (Unbound)

I enjoyed the book, The Glass Menagerie. It wasn't too long and it was very interesting to read. This was my favorite out of all the summer reading books i had to read. One reason is that it is written as a play. The play focuses on three main characters: Amanda, the mother, her daughter Laura, and her son Tom. I also liked it because it is one of those books you can't put down. I found myself wondering what was going to happen next. I perceived the atmosphere of this play to be a sad one. It's not like a sudden tragedy had occurred, but just their day-to-day life seemed hopeless. I felt sympathy for the characters. I wanted to give them help and support at times! Amanda and Tom always fought with one another. Tom was sick and tired of the way he had been living. He wanted real adventure instead of just watching it on the movies. Laura, on the other hand, was content to sit at home with her glass menagerie. Their mother, Amanda, had become so obsessed with finding a gentleman caller for Laura that everything else almost didn't matter anymore. Amanda always reminisced of how she had so many gentleman callers in her day. She wanted the same for Laura. But Laura was much different than her mother was. It wasn't that easy for Laura to meet gentlemen. Amanda needed to realize and accept that. I was impressed by this play. It was filled with emotion and diverse characters. They were almost oblivious to reality. They had their own worlds and expectations of what life should be. Their struggles to make their lives better were desperate and real. In the end we don't really know how everything turns out, but we were left thinking that anything could happen.