Very little is known about John Webster, a younger contemporary of Shakespeare. His reputation today rests mainly on two plays: The White Devil and The Dutchess of Malfi, the latter an acknowledged masterpiece of Jacobean tragedy. Forker provides a comprehensive overview of what is known, deduced, or guessed about Webster's life, as well as detailed discussions of his major works, minor works, collaborations, and attributions. Although this work has been intended as a basic "textbook" on Webster, the sheer volume of information here will certainly alienate the casual reader. (Is the rise and reception of coach-makers in England, for instance, at all relevant?) Nevertheless, an excellent addition to any academic library. James Stephenson, George Washington Univ. Lib., Washington, D.C.
Copyright 1986 Reed Business Information, Inc.
Product Description
Webster was much possessed by death
And saw the skull beneath the skin;
And breastless creatures under ground
Leaned backward with a lipless grin.
These lines from T. S. Eliot’s “Whispers of Immortality” provide Charles R. Forker with the title for the most substantial and detailed examination of John Webster to date; they also identify a major theme—the love-death nexus in
Renaissance drama and its special relevance to Webster.
Forker summarizes what is known about Webster’s life and analyzes in detail not only the major plays but also the lesser ones. He examines The White Devil, The Duchess of Malfi, and The Devil’s Law-Case in context with the minor and collaborative works, tracing themes, stylistic features, and ideas through the entire Webster canon.
One reviewer of the manuscript notes that “Forker is surely unrivalled as an authority on matters Websterian. His book treats Webster with an unhurried fullness and richness rarely accorded even to Shakespeare.” Another calls the book “Splendid. Readable and engaging.”
And saw the skull beneath the skin;
And breastless creatures under ground
Leaned backward with a lipless grin.
These lines from T. S. Eliot’s “Whispers of Immortality” provide Charles R. Forker with the title for the most substantial and detailed examination of John Webster to date; they also identify a major theme—the love-death nexus in
Renaissance drama and its special relevance to Webster.
Forker summarizes what is known about Webster’s life and analyzes in detail not only the major plays but also the lesser ones. He examines The White Devil, The Duchess of Malfi, and The Devil’s Law-Case in context with the minor and collaborative works, tracing themes, stylistic features, and ideas through the entire Webster canon.
One reviewer of the manuscript notes that “Forker is surely unrivalled as an authority on matters Websterian. His book treats Webster with an unhurried fullness and richness rarely accorded even to Shakespeare.” Another calls the book “Splendid. Readable and engaging.”
See all Editorial Reviews
