From Library Journal
Over 30 years in the making, the Ghysels Collection of ethnic jewelry here yields a magnificent array of over 400 pieces of jewelry, ranging from the elaborate extravagance of Central Asian headdresses to the stark simplicity of Solomon Islands chest pendants. Art historian Borel's gracefully written essay describes the universality of the desire to ornament the body, as seen in the cultures of Africa, Asia, Oceania, and the Americas. Captions describing the provenance and use of each piece accompany the luminous photographs. The jewelry pieces are not pictured as actually worn but are appreciated as objects of art. This beautifully executed volume will provide inspiration for designers and pleasures for students of ethnic cultures. Recommended for large decorative arts collections.
Therese Duzinkiewicz Baker, Western Kentucky Univ. Libs., Bowling GreenCopyright 1994 Reed Business Information, Inc.
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It is through wonderfully composed color photographs, enhanced by text, that the body decorations of cultures from around the world come to life here. Curator-scholar Borel concentrates on the materials, the cultural imagery, and the meaning of jewelry worn by peoples in Africa, Asia, Oceania, and the Americas. The impressions are indelible: Brazilian men tossing around a certain colorful, feathered
akangitat, or headdress, during special ceremonies, Sudanese women with spiked silver bracelets for self-protection, and amulet cases with carnelian, worn at the waist to ease the pain of childbirth.
Barbara Jacobs
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