by Diana Scarisbrick
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by Diana Scarisbrick
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500 Wedding Rings: Celebrating a Classic Symbol of Commitment (500 Series) by Lark Books |
500 Pendants & Lockets: Contemporary Interpretations of Classic Adornments (500 Series) by Lark Books |
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Editorial Reviews
From Library Journal
After briefly explaining the ancient origins of finger rings, art historian Scarisbrick examines this most personal item of jewelry. She presents over 480 examples of rings from British and European collections representing many forms from the Middle Ages through today. Using close-up photography to augment her in-depth treatment of the examples' provenance, history, and symbolism, Scarisbrick offers a well-documented, scholarly treatment emphasizing the symbolism of authority--princely and ecclesiastic--as well as piety, fidelity, love, and remembrance. Though fascinating and well illustrated, this excursion into the messages of rings worn by European aristocracy may be too technical and detailed for the casual reader. Recommended for academic and special libraries as well as comprehensive public library collections.
- Therese D. Baker, Western Kentucky Univ. Libs., Bowling Green
Copyright 1993 Reed Business Information, Inc.
Product Description
Rings are unique among personal adornments: none other carries such a weight of symbolism. Rings can be enjoyed for themselves as objects of beauty; but equally fascinating are the meanings that have been attached to them. With rings, lovers and wedded couples pledged their faith, kings and popes exercised their power, noblemen displayed their lineage, merchants marked their goods. Rings warned their wearers to meditate on salvation; commemorated the dead; proclaimed loyalties. Almost every example awakens a human story to life. To her history of rings from the Middle Ages to modern times, Diana Scarisbrick brings an unequalled knowledge of remarkable treasures in museums, private collections and salerooms. She notes the choice of specific gems, the role of the goldsmith, and changes in taste, design and attitudes; and she unravels the iconography of rings. Memoirs, inventories and imaginative literature, together with contemporary portraits, illuminate the social context. Rings of significance and rings for show, rings that have adorned the fingers of Richard Coeur-de-Lion and the Duchess of Windsor all are described, explained and illustrated in enlargements that convey the excitement of handling the jewels themselves. Infinitely precious yet unobtrusive, personal and enigmatic, rings still speak to us in a language that defies time. Diana Scarisbrick is an art historian specializing in the history of jewelry and engraved gems. She has curated exhibitions on jewelry at the Ashmolean Museum, Oxford, and the Fitzwilliam Museum, Cambridge. She writes a monthly jewellery column for "Harpers and Queen" magazine, and contributes regularly to "Country Life", "Apollo" and "The Burlington Magazine". --This text refers to an out of print or unavailable edition of this title.
After briefly explaining the ancient origins of finger rings, art historian Scarisbrick examines this most personal item of jewelry. She presents over 480 examples of rings from British and European collections representing many forms from the Middle Ages through today. Using close-up photography to augment her in-depth treatment of the examples' provenance, history, and symbolism, Scarisbrick offers a well-documented, scholarly treatment emphasizing the symbolism of authority--princely and ecclesiastic--as well as piety, fidelity, love, and remembrance. Though fascinating and well illustrated, this excursion into the messages of rings worn by European aristocracy may be too technical and detailed for the casual reader. Recommended for academic and special libraries as well as comprehensive public library collections.
- Therese D. Baker, Western Kentucky Univ. Libs., Bowling Green
Copyright 1993 Reed Business Information, Inc.
Product Description
Rings are unique among personal adornments: none other carries such a weight of symbolism. Rings can be enjoyed for themselves as objects of beauty; but equally fascinating are the meanings that have been attached to them. With rings, lovers and wedded couples pledged their faith, kings and popes exercised their power, noblemen displayed their lineage, merchants marked their goods. Rings warned their wearers to meditate on salvation; commemorated the dead; proclaimed loyalties. Almost every example awakens a human story to life. To her history of rings from the Middle Ages to modern times, Diana Scarisbrick brings an unequalled knowledge of remarkable treasures in museums, private collections and salerooms. She notes the choice of specific gems, the role of the goldsmith, and changes in taste, design and attitudes; and she unravels the iconography of rings. Memoirs, inventories and imaginative literature, together with contemporary portraits, illuminate the social context. Rings of significance and rings for show, rings that have adorned the fingers of Richard Coeur-de-Lion and the Duchess of Windsor all are described, explained and illustrated in enlargements that convey the excitement of handling the jewels themselves. Infinitely precious yet unobtrusive, personal and enigmatic, rings still speak to us in a language that defies time. Diana Scarisbrick is an art historian specializing in the history of jewelry and engraved gems. She has curated exhibitions on jewelry at the Ashmolean Museum, Oxford, and the Fitzwilliam Museum, Cambridge. She writes a monthly jewellery column for "Harpers and Queen" magazine, and contributes regularly to "Country Life", "Apollo" and "The Burlington Magazine". --This text refers to an out of print or unavailable edition of this title.
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